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Buzak, Leanne
Person

Leanne Buzak is a singer in Viter Ukrainian Folk Choir, and an active member in the Edmonton Ukrainian Community.

Cherwick, Brian
Person · born 1960

Brian Cherwick (B. Mus. – Brandon; M.A. – Alberta; PhD. - Alberta) is a specialist in east European traditional music, diaspora cultures, ethnic identity, music industry, material culture and oral history. He was born in Winnipeg into a family that had settled in Canada a couple of generations earlier. Three of his four grandparents were born in the western Ukrainian province of Galicia, from two villages, Chornokonetska Volya and Burdiakivtsi, near the city of Ternopil. Brian’s father’s family were early settlers from the first wave, immigrating to Saskatchewan in 1903, while his mother’s family came to Manitoba during the interwar immigration in the 1920s.

Brian had music on both sides of his family. His father’s father, John Cherewyk, left the farm to become a harness maker and later a meat cutter in the town of Yorkton, Saskatchewan. But on the side, John played fiddle in a trio with his two brothers — one playing tsymbaly and the other adding a second violin. John was additionally trained as a cantor in the Ukrainian Catholic church. Brian learned the cantorial art from his grandfather (as well as other cantors) during church services each Sunday and would come back with him and hear him fiddling at home. Brian holds a position today as a cantor in his church and is active in teaching liturgical singing to fellow congregants. On his mother's side, Brian's great-grandfather was a fiddler and his grandmother even played the small bubon in the band until she was old enough to marry (it was not respectable then for mature women to play music). Brian's uncle Mike Klym played drum kit with the D-Drifters, one of the most famous Western Canadian Ukrainian bands. The D-Drifters were especially known for providing backup to Mickey and Bunny, a famous singing married couple, and for recording country western music with English and Ukrainian lyrics. Their biggest hit was a Ukrainian translation of Woody Guthrie's "This Land is Your Land," and the disc sold hundreds of thousands of copies. Uncle Mike was only fifteen years older than Brian, and so Brian grew up going to practices of the D-Drifters.

Brian formed his first band with friends at age 14, and began playing violin at weddings at age 15. Instrumentation has changed with the tastes of the community, and modern bands often feature accordions, keyboards, saxes, electric guitars, basses and drum kits (such adaptation is not a new phenomena — grandfather John Cherewyk also performed on the Hawaiian-style lap steel guitar which was a rage in the 20s and 30s). At age 16, Brian acquired a tsymbaly from his brother who had gotten it from a church group. As a young musician with an entrepreneurial flair, Brian saw tsymbaly as a way to differentiate his band and their advertisements would promote the fact that they played the old tunes on traditional instruments as well as in more modern arrangements. Brian learned tsymbaly from watching the old-timers play at weddings (with over 100 first-cousins, there were plenty of family celebrations throughout the year). He also listened to regional Canadian-Ukrainian commercial recordings featuring tsymbaly-- bands such as those of the Alberta fiddlers Metro Radomsky, Bill Boychuk, and Manitoba fiddlers Jim Gregorash, Tommy Buick and Peter Lamb, as well as the Interlake Polka Kings.

Brian entered Brandon University (about 100 km west of Winnipeg) to study in its well regarded music program. Though tsymbaly was not offered, he enrolled as a pianist and percussionist. After graduating, Brian spent four years teaching music and conducting choirs at a seminary in Roblin, Manitoba, a tenure that was interrupted mid-way by an opportunity to study music for a year in Ukraine. Brian had received an invitation from the Society for Relations with Ukrainians Abroad. Based at the Kyiv Conservatory, Brian took classes in cimbalom, the piano-sized concert version of the tsymbaly that had developed in Hungary at the end of the 19th century and was taught in conservatories in Hungary, Ukraine, Czechoslovakia, Romania and Moldova. Adapting from tsymbaly to cimbalom requires learning a completely different tuning system, sticking technique and use of the cimbalom’s damper pedal, which is similar to that of a piano. Though his assigned teacher was Gyorgi Ahratina, who played cimbalom with the national folk orchestra, Brian learned more from Vasyl Palaniuk, an ethnic Hutsul from the Carpathians who was the senior cimbalom student at the conservatory and is today recognized as one of Ukraine's leading players. While Palaniuk played cimbalom in the conservatory ensemble, Brian would play percussion alongside of him as they accompanied highly choreographed folkloric dance presentations.

From Roblin, Brian moved to Edmonton to enroll in the University of Alberta's graduate programs in Ukrainian folklore and ethnomusicology. His doctoral dissertation focused on the influences of social conditions and popular music on the development of Ukrainian traditional music in western Canada. He is currently researching the ethnic commercial recording industry in Canada. Dr. Cherwick is Adjunct Professor of Folklore at Memorial University of Newfoundland, has taught at the University of Alberta and Athabasca University. He has worked as a researcher for the Ukrainian Cultural Heritage Village in Alberta and for the Smithsonian Folklife Festival. He is also active as a performer, composer and music educator and has appeared in performances and conducted seminars and workshops throughout North America and Europe.

Cyncar, Nadia
Person

Nadia Cyncar was born in Ukraine. She came to Edmonton in 1948. Nadia studied Ukrainian language and literature, History of Textiles and Ukrainian Folklore at the University of Alberta. She graduated with B.A. (Honours) in Slavic Linguistics in 1978.

Nadia Cyncar is an honourary Life Member of the Ukrainian Catholic Women’s League of Canada. Since 1963, member of the Eparchial UCWLC Museum Committee, served as secretary, a chairperson and a curator since 2009. Designed and conducted the embroidery of the “Unity Rushnyk” for the 65 Jubilee of UCWLC. She organized exhibits of Ukrainian Folk Art, contest and fashion shows, held workshops on Ukrainian Arts & crafts, costumes for dancing groups, led seminars on Ukrainian tradition and customs; was involved to judge various contests. Nadia designed costumes for opera “KUPALO”, historical costumes for the float and Ukrainian theme designs for Papal Visit Banners. In 1977-1982 she served on the Advisory Board of the Ukrainian Cultural Heritage Village.

Nadia Cyncar is a co-founder of Edmonton Plast (Ukrainian Scouts Organization) in 1948, held various executive positions at the organization, and for the last several decades served as an Archivist/Librarian.

Demianiuk, Ivan
Person · 1920 - 2012

John Demjanjuk (born Ivan Mykolaiovych Demianiuk), April 3, 1920 (Dubovi Makharenci, Vinnytska oblast, Ukraine) – March 17, 2012 (Bad Feilnbach, Bavaria, Germany) was a Ukrainian-American auto worker, a former soldier in the Soviet Red Army, and a prisoner of war during the Second World War.
During World War II he was conscripted into the Soviet Red Army, where he was captured as a German prisoner of war.
In 1952 he emigrated from West Germany to the United States and was granted citizenship in 1958. In 1977 an American newspaper “News from Ukraine” published an article and a picture of a forged ID card with Demianiuk photo on it. The article stated that Demianiuk was a trainee in the Trawniki training camp for guards.
In 1986 he was deported to Israel to stand trial for war crimes, after being identified by eleven Holocaust survivors as "Ivan the Terrible," a notorious guard at the Treblinka extermination camp in Nazi occupied Poland. Demianiuk was accused of committing murder and acts of extraordinarily savage violence against camp prisoners during 1942–43. He was convicted of having committed crimes against humanity and sentenced to death there in 1988. The verdict was overturned by the Israeli Supreme Court in 1993, based on new evidence that "Ivan the Terrible" was probably another man.
In 2001 Demianiuk was charged again, this time on the grounds that he had, instead, served as a guard named Ivan Demianiuk at the Sobibór and Majdanek camps in Nazi occupied Poland and at the Flossenbürg camp in Germany.
He was convicted in 2011 in Germany for alleged war crimes as an accessory to the murder of 27,900 Jews. Since his conviction was pending appeal at the time of his death, Demianiuk remains innocent under German law, and his earlier conviction is invalidated. According to the Munich state court, Demianiuk does not have a criminal record.

Deriashnyj, Peter
Person · 1946-

Composer, arranger, conductor and bandurist Peter Deriashnyj (b. 1946, Calden, Germany) emigrated to Australia with his family in 1950 and completed an engineering degree from the Sydney Institute of Technology. He began studying the bandura with his father at age 10 and in childhood was exposed to Ukrainian church music at his local parish. Initially self-taught, he later pursued private studies in music theory and composition, as well as the playing of Kharkiv-style bandura in Sydney. He has conducted several Ukrainian choirs and ensembles in Australia. His works include numerous arrangements for chorus with bandura accompaniment and original choral compositions for liturgical use. He has also produced standardized vocal scores of liturgical music for use in Ukrainian Orthodox parishes in Australia.

Dobrolige, Wadym
Person · 1913-1973

Wadym Dobrolige was born on December 7, 1913 in Nizhyn, Chernihiv region of the present day Ukraine. He was an artist and decorator. He graduated from the Kyiv Art Institute in 1935, and also studied at the Leningrad Institute of Sculpture and Architecture (1936). After coming back to Kyiv, he worked as a book illustrator. He was arrested, sent to Kolyma in Khabarovsk region of Russia, and was released in 1938. He worked as a film decorator under the supervision of Oleksandr Dovzhenko. During WWII he was captured by the Germans. In 1942 he fled the concentration camp and returned to Kyiv where he worked as a mechanic. However, Wadym Dobrolige was taken by the Germans to Germany and ended up at a DP camp Heidenau near Hamburg where he organized an art studio. There he created over 20 portraits, three icons for the camp church, peisages, still lifes, and decorated most of the camp plays for the Ukrainian theatre.

In 1948, Dobrolige moved to Canada. He painted many icons and Iconostasis. He created the iconostasis for the St. John's Cathedral in Edmonton in baroque style. A lot of Orthodox churches mainly in Alberta, but also in Saskatchewan and Quebec have Dobrolige’s Iconostasis, icons and church paintings. He decorated multiple theatre performances, created numerous portraits and still lifes, posters, external and internal decorations. Wadym Dobrolige was responsible for creating the portrait of Princess Elizabeth and different decorations for the procession to honour her visit to Edmonton in 1951. He died on October 4, 1973 in Edmonton, Alberta.

Drepko, Anna
Person · 1925 - 2018

Anna Drepko was born in 1925 in Novosilka, a small village in Ternopil, Ukraine. Her life as she knew it was disrupted when the second world war started and she was forcibly taken to Germany to work as a labourer. When the war ended, Anna immigrated to Scotland. There she lived in a hostel with young Ukrainian women, all of whom worked in a thread factory. In 1949, Anna met and married her husband, who was residing in Oldham, England, at the time and who coincidentally was also from Novosilka. They settled in Oldham for the next several years. Shortly after the birth of their first child, Maria, the family immigrated to Winnipeg, Manitoba where, four years later their second child, Myron, was born. Anna has resided in Winnipeg ever since.

Life in Winnipeg centered around the Ukrainian community, primarily the Ukrainian Canadian Institute Prosvita and the church. It was very important for Anna and her husband to raise their children according to Ukrainian culture and traditions: They enrolled them in the Ukrainian youth organization SUM, Ukrainian dance classes and ridna shkola.
Anna's passion was embroidery. i assume her interest may have been sparked while living and working in Scotland. Upon arriving in Canada, Anna spent a great deal of her spare time embroidering. As life in Winnipeg unfolded, Anna's time eventually became devoted elsewhere, but she did continue to embroider on a lesser scale until the early 1990s.

Anna passed away in Winnipeg on September 8, 2018. The following information is the obituary from the Korban Funeral Home website: Retrieved from https://www.korbanchapel.com/notices/Anna-Drepko on 2019-01-09.

"Peacefully, on September 8, 2018, after a lengthy debilitating illness, Anna entered into God’s Kingdom. Anna was born in Novosilka, Ternopil, Western Ukraine, to parents Antin and Kateryna. At the age of 17, she was taken from her home and family by the German army, to work forced labour on a farm in Germany. She was liberated by the American army when the Second World War ended, and spent time in a DP camp in Germany. From there she immigrated to Paisley, Scotland, where she lived in a hostel with other young Ukrainian women, all of whom worked in a thread factory. When Anna married her husband Hryhorij, they settled in Oldham, England, where their daughter Maria was born. In 1952, Anna and her family crossed the Atlantic Ocean and settled in Winnipeg, where their son, Myron was born. Beginning a new life in Canada posed many challenges, but Anna and Hryhorij worked tirelessly to provide a good life for their young family.

Anna was very proud of her rich Ukrainian heritage, culture and language. She spent any spare moment embroidering traditional Ukrainian designs. Some of her vyshyvky are at the University of Alberta at the Kule Folklore Centre. She also ensured that her children attended Ukrainian School (Ridna Shkola), Ukrainian dancing, CYM (Ukrainian Youth Organization), and the Ukrainian Catholic Church. Anna was a member of the Ukrainian Canadian Institute Prosvita, the League of Ukrainian Canadian Women, and Sts. Volodymyr & Olha Cathedral. In later years, she became a member of the Senior’s Club of Prosvita, where she loved to sing, dance and socialize. She also sang in the Dumka Choir.

She always yearned to return to Ukraine. In 1985, she was able to fulfill her dream. She reunited with her family in Ukraine for the first time after being apart for 50 years.

Anna was predeceased by her husband Hryhorij. She leaves to mourn her daughter Maria Stolarskyj, son Myron (Tania), grandchildren Laryssa, Teresa (Tim), Oleh, Kathryn (Jay), Alexa (Shane), great grandchildren, Luke, Sofia and Mia. Anna loved her grandchildren and great grandchildren. They were her pride and joy.

The family thanks Drs. Terry and Andrea Babick for their wonderful care. Thank you to St. Joseph’s Residence for the exceptionally kind and compassionate care of our mom for the past 10 years.

Funeral Divine Liturgy will be celebrated at 10:00 a.m. on Thursday, September 13, 2018, at St. Joseph’s Ukrainian Catholic Church, 250 Jefferson Ave., followed by interment at All Saints Cemetery.

Pallbearers will be Oleh Stolarskyj, Myron Pawlowsky, Shane Yanke, Tim Stokes, Jay Comeault, and Andrew Leskiw."

Elias, Anne
Person · 1921-

Anne Elias was born in 1921 in a Ukrainian family on a farm near Two Hills, Alberta.

Evanishen, Danny
Person

Danny Evanishen is a Canadian of Ukrainian descent, a world traveller and a writer. He was born on February 17, 1945 in Saskatoon, Saskatchewan. Danny graduated from the Nutana Collegiate Institute, Saskatoon in 1962, and then attended the University of Saskatchewan between 1962 and 1968 where he received degrees in both drama and education, while also being a writer and poet for the university’s student newspaper The Sheaf along with membership in other student organizations. Danny was also a member of a variety of cultural groups during this time, including the Mohyla Ukrainian Institute, CYMK (of which he was a president in 1964-65), and the dance group Yevshan and Lusia Pavlychenko's group, Saskatoon (1964-68). With Yevshan he danced in a Saskatchewan Jubilee movie in 1965, at Expo 67 several times, at the Canadian National Exhibition and for Queen Elizabeth in Ottawa in 1967. With Mary Tkachuk's youth choir he sang and played guitar in Toronto, Ottawa and Montréal at Expo 67, all in 1967.

Shortly after graduation, Danny began teaching English and art in Australia and New Zealand, but returned to Canada in 1971 to work as a Forest Officer in Yukon and British Columbia until 1978. During this time he briefly worked as an editor and publisher at a newspaper in Ross River, Yukon. In 1978, he became an owner and operator of a movie theatre and the manager of a freight co-operative in Salt Spring Island, BC. He also began pursuing freelance writing, which he continues to this day. From 1991 to 1993 Danny worked as a freelance forest fire suppression in BC. Since 1991, he has worked as a writer/publisher. Danny also worked at a mine in the Australian desert, fixed yachts on the Spanish island of Ibiza, repaired Volkswagens in Nigeria, tended bar in Canada, Spain and New Zealand, played guitar in a restaurant in Australia, drove a van in England, and crossed the Sahara in an old army truck.

Danny Evanishen's father stimulated his interest by translating some stories he found in an old Ukrainian book handed down by his father; his mother provided one story and encouraged him; and his niece and sister did the artwork. When Evanishen started to investigate, he discovered thousands of Ukrainian folktales. Danny started collecting stories in 1991. In 1994, he started going to Ukrainian and multiethnic festivals to collect stories there. He was interested in collecting stories of two types: Ukrainian folk tales and funny Ukrainian pioneer stories. With time, he started collected stories from descendants of pioneers. Danny would record verbal stories and would also invite people to send them to him by email, on paper, floppy disk, cassette, audio reel, fax, video, 8mm film. In 1994, he sent an announcement about collecting stories to many newspapers. If at the beginning of 1990s he would collect 2-3 stories per year, in 1999 he collected near to 40.

In 1993 he founded “Ethnic Enterprises, Publishing Division” to publish these stories, and his own writings around the character Vuiko Yurko which had received an award in a writers’ contest shortly after being published. Since then Ethnic Enterprises has published over twenty books containing stories of Danny’s own creation, and of Ukrainian folk tales he has collected and translated.