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Biographical note is coming.

Natalie Kononenko was born in a displaced persons camp in Germany in 1946. She came to the United States in 1951. She grew up in New Jersey and attended University at Cornell, moving on to Radcliffe College and then on to Harvard University for graduate work. She received her PhD from Harvard University in Slavic and Near Eastern Languages, Literatures, and Folklore. She performed her PhD research in Eastern Turkey. She taught Russian Language and Slavic Folklore, and served as Assistant Dean and Chair of the Slavic Department at the University of Virginia. She led some of the first student groups to the USSR in the 1970-1980s. In 1987 she was one of the first US scholars to be allowed outside of Moscow. She lived three months in a hotel room in Kyiv doing archival research at the University and at the Academy of Sciences. This research lead to the publication of "Ukrainian Minstrels: And the Blind Shall Sing," Armonk, New York and London, England: M.E. Sharpe, 1998. After the break-up of the USSR Natalie started to do folklore research in rural Ukraine. From 1998 she visited many villages in Central Ukraine and recorded over 200 hours of interviews. This research lead to a soundfile database (see http://www.artsrn.ualberta.ca/UkraineAudio/). It has also produced many articles and will be used in a book on Ukrainian ritual.

In 2004 she was recruited as Professor and Kule Chair in Ukrainian Ethnography, Modern Languages and Cultural Studies, University of Alberta. In 2007 she published "Slavic Folklore: A Handbook," Westport and London: Greenwood Press. She served as editor of Folklorica, the Journal of the Slavic and East European Folklore Association for 5 years. This journal was internationally recognized and was instrumental in re-establishing the dialogue between folklore scholars in the former Soviet Union and their colleagues in the West.

Dr. Kononenko teaches folklore and applied folklore classes at the Department of Modern Languages and Cultural Studies at the University of Alberta, for example, Folklore and Internet, Folklore and Film, Folklore and Animation, as well as research seminar where advanced students work in their communities to produce big documentation projects such as videos of important festivals. She is involved in two big research projects. The Sanctuary project, where Natalie works together with John-Paul Himka and Frances Swyripa, documents Byzantine rite sacral heritage on the Canadian prairies. The second project is broadly based on the use of technology in education.

Lawrence was a dancer in Cheremosh Ukrainian Dance Ensemble from the group’s inception in 1969 to 1984. He served as President of Ukrainian Cheremosh Society from 1979 to 1980 and was awarded the distinction of Honourary Lifetime Member of our Society. His contributions included choreography, dance instruction, and organization of productions and tours; he served as Assistant Director of Cheremosh during the early 1980s. Lawrence was a brilliant and gifted educator, artist, dancer, director, horticulturist, gourmet cook and mentor to countless individuals at home and abroad.

Composer and conductor Andrij Hnatyschyn (b. 1906, Chyzhykiv, Ukraine, d. 1995, Vienna, Austria) studied at the Ukrainian Academic Gymnasium in Lviv, the Lviv Theological Academy and the Lysenko Music Institute. He worked for the Prosvita educational society in villages near Lviv. Awarded a scholarship by Metropolitan Andrei Sheptytsky, he continued his music studies at the Neues Wiener Konservatorium and graduated in 1934. From 1931 until the Nazi occupation of Austria, Hnatyschyn directed the choir of St. Barbara’s Ukrainian Catholic church in Vienna. He spent part of the Second World War in Berlin, where he conducted the choir of the local Ukrainian Catholic parish. Following the war he returned to Vienna, and from 1954 until the end of his life he again directed the choir of St. Barbara’s, which was the center of Ukrainian cultural life in the city. Hnatyschyn used the choir as a platform for promoting Ukrainian music, particularly through recordings and performances on Austrian radio. Beginning in the 1990s he was able to travel once again to Ukraine, and in 1994 the Liatoshynsky Chamber Choir gave a concert of his works in Kyiv. At the time Hnatyschyn also began transferring his archive to the Vernadsky National Library.

Hnatyschyn was primarily a composer of sacred music, including numerous liturgies and cantatas. He also produced orchestral suites, an opera, chamber pieces for violin and piano, a piano trio and string quartet, and choral arrangements.

Halyna Kild was born on July 17th, 1955, in Ukraine (in the Yunashky village in the Prohrebyshche district of the Vinnytsia region). She is a journalist, editor, translator, and a freelance radio correspondent at Radio Canada International (1992-1998). She came to Canada in 1998. She is a specialist in the field of graphic communications, advertising, and publishing affairs (Northern Alberta Institute of Technology, 1999). She worked at the private technology company of Yotta Yotta Inc. which was in charge of globally distributing and transmitting large volumes of email information and security of electronic networks (2000-2002).

From 1992 to 1997, she prepared and recorded around 200 reports and radio interviews for RCI (Radio Canada International) about political and public events, news of Ukrainian studies in Alberta, and innovative approaches in science and agriculture.

In 1994, she covered the visit to Alberta of the former President of Ukraine Leonid Kuchma. She has written over 50 publications in Ukrainian and in English in the North American and Ukrainian press. Among them: an article on the status of women in Canada and Ukraine “Sexual harassment: reality or fiction” (“Modernity”, June 1995).

Many of her articles are devoted to the work of the Canadian Institute of Ukrainian Studies at the University of Alberta, where she is currently working as a Communication & Research Assistant.

Composer, arranger, conductor and bandurist Peter Deriashnyj (b. 1946, Calden, Germany) emigrated to Australia with his family in 1950 and completed an engineering degree from the Sydney Institute of Technology. He began studying the bandura with his father at age 10 and in childhood was exposed to Ukrainian church music at his local parish. Initially self-taught, he later pursued private studies in music theory and composition, as well as the playing of Kharkiv-style bandura in Sydney. He has conducted several Ukrainian choirs and ensembles in Australia. His works include numerous arrangements for chorus with bandura accompaniment and original choral compositions for liturgical use. He has also produced standardized vocal scores of liturgical music for use in Ukrainian Orthodox parishes in Australia.

Composer and conductor Gary Kulesha (b. 1954, Toronto, Canada) studied piano, music theory and composition at the Royal Conservatory of Music in Toronto. He later studied composition with John McCabe in London and John Corigliano in New York. As a conductor he is largely self-taught. Kulesha has worked as composer in residence at the Stratford Festival, Kitchener-Waterloo Symphony Orchestra and the Canadian Opera Company, and as composer-advisor to the Toronto Symphony Orchestra. Since 1991 he has been on the music faculty of the University of Toronto. Kulesha’s output includes three symphonies, concertos for violin, cello, winds and brass, numerous orchestral pieces, chamber works for strings, winds, brass and percussion, solo piano works, two operas, art songs, choral works and incidental music. He is married to composer Larysa Kuzmenko.

Composer and conductor Zenoby Lawryshyn (b. 1943, Rudnyky, Ukraine, d. 2017, Toronto, Canada) came from a priestly family that left Ukraine during the Second World War. After several years in displaced persons camps in Austria and Germany, the family settled in Toronto in 1949. There he began private piano lessons with Lev Tyrkevych and Lubka Kolessa, before graduating from the Royal Conservatory of Music in 1961. In the mid-1960s he spent a year studying in Paris, before completing a degree in composition from the University of Toronto. Lawryshyn spent most of his career conducting Ukrainian-Canadian choirs, and as a result he composed primarily for voice and chorus, including 30 pieces for male chorus, two liturgies, a panakhyda, three cantatas and several song cycles for chorus. He also composed works for string ensemble, a string quartet, woodwind quintet and two piano trios. In addition, he arranged Ukrainian songs and carols for chamber instrumental ensembles.

Danny Evanishen is a Canadian of Ukrainian descent, a world traveller and a writer. He was born on February 17, 1945 in Saskatoon, Saskatchewan. Danny graduated from the Nutana Collegiate Institute, Saskatoon in 1962, and then attended the University of Saskatchewan between 1962 and 1968 where he received degrees in both drama and education, while also being a writer and poet for the university’s student newspaper The Sheaf along with membership in other student organizations. Danny was also a member of a variety of cultural groups during this time, including the Mohyla Ukrainian Institute, CYMK (of which he was a president in 1964-65), and the dance group Yevshan and Lusia Pavlychenko's group, Saskatoon (1964-68). With Yevshan he danced in a Saskatchewan Jubilee movie in 1965, at Expo 67 several times, at the Canadian National Exhibition and for Queen Elizabeth in Ottawa in 1967. With Mary Tkachuk's youth choir he sang and played guitar in Toronto, Ottawa and Montréal at Expo 67, all in 1967.

Shortly after graduation, Danny began teaching English and art in Australia and New Zealand, but returned to Canada in 1971 to work as a Forest Officer in Yukon and British Columbia until 1978. During this time he briefly worked as an editor and publisher at a newspaper in Ross River, Yukon. In 1978, he became an owner and operator of a movie theatre and the manager of a freight co-operative in Salt Spring Island, BC. He also began pursuing freelance writing, which he continues to this day. From 1991 to 1993 Danny worked as a freelance forest fire suppression in BC. Since 1991, he has worked as a writer/publisher. Danny also worked at a mine in the Australian desert, fixed yachts on the Spanish island of Ibiza, repaired Volkswagens in Nigeria, tended bar in Canada, Spain and New Zealand, played guitar in a restaurant in Australia, drove a van in England, and crossed the Sahara in an old army truck.

Danny Evanishen's father stimulated his interest by translating some stories he found in an old Ukrainian book handed down by his father; his mother provided one story and encouraged him; and his niece and sister did the artwork. When Evanishen started to investigate, he discovered thousands of Ukrainian folktales. Danny started collecting stories in 1991. In 1994, he started going to Ukrainian and multiethnic festivals to collect stories there. He was interested in collecting stories of two types: Ukrainian folk tales and funny Ukrainian pioneer stories. With time, he started collected stories from descendants of pioneers. Danny would record verbal stories and would also invite people to send them to him by email, on paper, floppy disk, cassette, audio reel, fax, video, 8mm film. In 1994, he sent an announcement about collecting stories to many newspapers. If at the beginning of 1990s he would collect 2-3 stories per year, in 1999 he collected near to 40.

In 1993 he founded “Ethnic Enterprises, Publishing Division” to publish these stories, and his own writings around the character Vuiko Yurko which had received an award in a writers’ contest shortly after being published. Since then Ethnic Enterprises has published over twenty books containing stories of Danny’s own creation, and of Ukrainian folk tales he has collected and translated.

Kost’ Telychko was born in Ohiltsi village, Kharkiv region on May 27, 1907 to the family of Mykhailo and Tetiana Telychko (nee Tymchenko). In 1927 he graduated from the Institute of National Economy. In 1931, he was imprisoned, after getting out of jail, he managed to build a successful career.

By the end of WWII, Telychko lived in Austria, working on construction and Austrian farms. In 1945 he moved to Germany and lived first in Karsfeld DP camp; when the camp was closed in spring 1946, he moved to Mittenwald DP camp, Germany. While in Karsfeld, Telychko became a secretary of the newly founded Ukrainian National State Union organization (Український Нац. Державний Союз). After relocating to the Mittenwald camp, Telychko was elected as the organization's head and participated in all its conventions in 1946, 1947 and 1949.

Telychko arrived in Canada on June 10, 1949, and settled in Edmonton. The same year he became a Ukrainian Greek Orthodox Church member. In September 1949, he also joined the Edmonton division of the Ukrainian Canadian Congress and remained its member for 22 years. He was also a member of the Ukrainian Self-Reliance Association where in 1950 he served as elected secretary. Telychko worked towards the founding of the Committee for the Ukrainian National Council (Комітет Сприяння Українській Народній Раді), was its secretary for many years and, later, the head of the initiative.

On November 1956 Telychko initiated a radio broadcasts in Edmonton. By 1982 over 381 programs were aired through the CKUA Radio Network. Majority of the programs were written by Kost' Telychko.

He often was elected a convention delegate. On July 6, 1960, he delivered a main speech at the USRL/CYC Convention in Toronto. In the 1970s and 1980s, he also worked as an advisor and journalist, taught at the Ukrainian Saturday school (Рідна школа), was an author of radio broadcasts and newspaper articles. Kost’ Telychko was awarded the Shevchenko medal and many scrolls of honour. He died on April 23, 1999, in Edmonton, Alberta.

Ivan Keywan was born on September 16, 1907 in the village of Karliv (now called Prutivka) in Western Ukraine. He began his art studies at the O. Novakivsky Art School in Lviv, and continued at the Academy of Fine Arts in Krakow and the Academy of Fine Arts in Warsaw, from which he graduated in 1937. He also studied art history at the University of Warsaw and qualified as a teacher of art and art history. After his studies, he taught painting and drawing in Kolomea at the Ukrainian high school and technical school, while also pursuing an artistic career. As a member of several artists' associations, he exhibited his works, starting in 1933, in Warsaw, Lviv, different cities in Germany, Paris and Amsterdam. In 1943, he married Maria Adriana Krupska, a physican, in Kolomea (Kolomyia).

In 1944, he fled Western Ukraine in advance of the Soviet occupation. After the end of the war, he lived with his family in a displaced persons (DP) camp in Mittenwald, Bavaria, Germany. There he taught art and art history in the camp high school and at the People's University and produced many landscape paintings of the Alps. In 1949, Ivan Keywan, with his wife and two children, Orest and Zonia, immigrated to Canada and settled in Edmonton, Alberta.

In Canada, Keywan continued his artistic work. A co-founder of the Ukrainian Artists Association of Canada (USOM = Українська спілка образотворчих мистців Канади), he participated in the association's exhibitions, as well as other exhibitions in Edmonton, Saskatoon, Winnipeg, Toronto, Montreal, Detroit and New York. Increasingly turning his attention to art history and criticism, he authored countless articles for the Ukrainian press and published four monographs on Ukrainian artists, including Taras Shevchenko, the Artist (1964). For this work, he was awarded the Shevchenko Medal, the highest form of recognition granted by the Ukrainian Canadian Congress (KUK). He researched and wrote a two-volume history of Ukrainian art, of which only one section has been published in 1996 in Edmonton by Clio Editions titled Українські мистці поза Батьківщиною (Ukrainian Artists outside Ukraine). In 1967, Keywan received an honorary appointment as professor of art history at the Ukrainian Catholic University in Rome. Ivan Keywan died in Edmonton on September 18, 1992.