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Mykhailo Bilas was a prominent Ukrainian artist, weaver, and an important person in the history of Ukrainian art overall. He had three art degrees: in theatre and choreography, vocal, and fine art. He was born in Ukraine then under Poland. When he was 15, the territory where he lived was occupied by Germans, and later by Soviets. Bilas lived most of his life in the Soviet Union.

In 1992, the Mykhailo Bilas museum was opened in Truskavets'. In 1995, he became recognized as the People's Artist of Ukraine. Bilas died in Truskavets' in 2016.

He had deep interest in the world cultures - music, cinema, fashion. Aside from his achievements as an artist, he was also a talented designer. According to Dmytro Pavlychko, Bilas was great in transforming the folk art energy into new forms, new artistic artifacts, those that every person would like to have at home.

Михайло Білас (1924 - 2016), видатний український художник, майстр ткацтва, дуже важлива фігура для історії українського мистецтва, нетипова і парадоксальна - народний художник з трьома мистецькими освітами - театрально-хореографічною, вокальною і художньою. В житті і творчості Біласа, як в гобелені, переплелися головні сюжети культурного і політичного життя України ХХ століття.

Білас народився в Україні, окупованій Польщею, а коли йому виповнилося 15 років він пережив страшну німецьку окупацію і потім ще страшнішу радянську. Більшу частину життя Біласу довелося прожити у Радянському Союзі. Білас так написав про своє життя в радянській Україні в листі Любі і Мирославу Куцам 26.11.1989 року:

“…що ми можемо бачити тут, будучи стільки років відірваними від цивілізації і культурного світу за сталевою стіною застою, яка знищувала все добре, гарне і розумне. Яка навчала нас до замкнення всіх почуттів, навчила мовчати і боятися власного погляду. Це не жарт і Вам цього не зрозуміти ніколи!”

В 1991 році Україна здобула незалежність. В 1992 році відкрився музей Михайла Біласа в Трускавці, в 1995 році йому було присвоєне почесне звання Народного художника України.

Помер і похований Білас у Трускавці в 2016 році.

Художник з великим світоглядом, який завжди цікавився сучасною світовою культурою – музикою, кіно, модою. Його внесок в українську культуру не обмежується ткацтвом, масштаб його творчості ширший, бо він ще талановитий експозиціонер, який не боявся простору, модельєр.

Як сказав видатний український поет Дмитро Павличко, М. Білас є, власне, великим трансформатором народної мистецької енергії в нові форми, нові художні предмети, причому в такі саме, які хочеться мати кожній людині дома.

Автор тексту: Ірина Воробйова

З листа Біласа Куцям від 8 березня 1994 року:

“Чомусь не вміють показати цей чарівний світ Михайла Біласа, так само як не вміють написати моєї біографії, не можуть збагнути мойого “я”, того загадкового світу меланхолії, яку я проніс через все життя від малої дитини, того чогось незбагненного і загадкового, якого я сам не розумію, хіба зараз, коли задумуюся над собою і пройденим шляхом життя, я бачу, як нелегко мені було естетично, інтелектуально, якого другі не розуміли. Розуміла одинова моя Мама - інтуїтивно, підсвідомо - пестила, носила на руках вже досить великого, колисала і співала колискову, яку я запамʼятав донині і яку співають сестри Байки. Мій загадковий, ніжний, меланхолійний мікро світ важко комусь збагнути, бо це все в мені, це є я - неподібний ні до чого. Мені з тим і легко, і важко. Легко, коли я сам з собою, і важко, коли я в оточенні прозаїчних людей, обставин, коли мушу грати ролю власне тих людей і скривати моє “я”. І в мене все подвійне - то я веселий, то сумний. Немає “золотої середини”, бо дав мені Бог те, чого інші не мають і не додумуються.”

Колискова "Поперушко" в виконанні сестер Байко: https://www.youtube.com/watch?v=N1HbKrxMh8M

“Мої твори оперті на українських народних традиціях, піснях, танцях, музиці, фольклорі. Все це я вивчив, запамʼятав, полюбив, зарисував і не знаю, чи за своє скромне життя зможу це все показати у своїх творах (а шкода!)”

Myron grew up in Kozava a town near Ternopil. He and his sister joined UPA, and eventually he had to flee to the west. His sister stayed behind and was arrested and sent to Siberia. Myron made it to the west, and lived in England, Montreal and finally Kelowna BC. He passed away in 2021.

Wadym Dobrolige was born on December 7, 1913 in Nizhyn, Chernihiv region of the present day Ukraine. He was an artist and decorator. He graduated from the Kyiv Art Institute in 1935, and also studied at the Leningrad Institute of Sculpture and Architecture (1936). After coming back to Kyiv, he worked as a book illustrator. He was arrested, sent to Kolyma in Khabarovsk region of Russia, and was released in 1938. He worked as a film decorator under the supervision of Oleksandr Dovzhenko. During WWII he was captured by the Germans. In 1942 he fled the concentration camp and returned to Kyiv where he worked as a mechanic. However, Wadym Dobrolige was taken by the Germans to Germany and ended up at a DP camp Heidenau near Hamburg where he organized an art studio. There he created over 20 portraits, three icons for the camp church, peisages, still lifes, and decorated most of the camp plays for the Ukrainian theatre.

In 1948, Dobrolige moved to Canada. He painted many icons and Iconostasis. He created the iconostasis for the St. John's Cathedral in Edmonton in baroque style. A lot of Orthodox churches mainly in Alberta, but also in Saskatchewan and Quebec have Dobrolige’s Iconostasis, icons and church paintings. He decorated multiple theatre performances, created numerous portraits and still lifes, posters, external and internal decorations. Wadym Dobrolige was responsible for creating the portrait of Princess Elizabeth and different decorations for the procession to honour her visit to Edmonton in 1951. He died on October 4, 1973 in Edmonton, Alberta.

Joan Margel, a Canadian folklore collector, educator, volunteer, and community activist, has dedicated her life to preserving cultural heritage, promoting education, and positively impacting her community. Born Joan Bayers in 1932 in the Prestville area east of Rycroft, Alberta, she has deep roots in Kulivtsi and Verenchanka in Bukovyna, Ukraine. Her ancestors, the Rudeichuk, Kushneryk, and Bayers families, made their journey from that region to Canada in the late 19th and early 20th centuries. With immense pride, Joan refers to herself as the proud granddaughter of the pioneering homesteaders who opened up the Peace River country in the mid-1920s, playing a crucial role in establishing a new province.
Joan's early years were marked by personal loss when her father, John Bayers, a Bukovynian German, tragically passed away from pneumonia when she was only two and a half years old. Her mother, later marrying Jack Sandul, relocated the family to Jack's Yellow Creek homestead. In 1942, they moved to the Village of Rycroft, where Jack Sandul was involved in the trucking business, contributing to the construction of the Alaska Highway through his company, "Sandul's Transport."
Joan's passion for education and her commitment to learning began early in life. After attending Naramata Bible School in 1950 and graduating, she enrolled in the one-year teaching course at the University of Alberta in 1951. Joan began her first teaching position in 1952 at the age of 19 at the one-room Blueberry Mountain School in the Peace River Country. This small school, located ten kilometres from her childhood home, presented unique challenges. Joan taught students of all grades, ranging from 1 to 7, living in the back room of the school without running water and environmental hardships.
Joan wrote to the Ministry of Education requesting a teaching position in Ontario. Her request was granted, and in 1953, at the age of 20, she began teaching grade 2 at John McCrae Elementary School in Windsor, Ontario, till 1957, when her first son Donald was born. During this time, she met her future husband, Joseph (Joe) Margel, a former refugee from the Hungarian socialistic regime. He left the country after WWII in 1946 and came to Canada shortly after. In August 1956, Joan and Joseph married in Rycroft and returned to Windsor. After having two sons and ten years living in Windsor, the Margel family returned to Rycroft, where they started a small but successful T.V. business. During this time, Joan continued to pursue her passion for teaching, dedicating a year to teaching grade 2. Two daughters were born there.
In 1967, the Margel family made another move, settling in Edmonton, Alberta. Joan and Joseph pursued their studies at the University of Alberta full-time from 1967 to 1968. In the fall of 1968, Joan returned to the field after a 12-year hiatus from the teaching profession, joining Afton Elementary School. Joseph got a job teaching High school electronics. They both got teaching jobs while still completing their 4-year education degrees. Joan graduated in 1971, and Joseph in May 1973 or 1974. In 1981, Joan furthered her educational pursuits by attending the University of Alberta's Elementary Library Education program. She then embarked on a remarkable journey, teaching as a Multicultural Library teacher at both Princeton Elementary School and Norwood Elementary School for a year (1982-1983). Her dedication to fostering cultural diversity continued as she taught full-time at Norwood for two more years (1983-1985). Joan's expertise led her to Glenrose Hospital School in 1985, where she served as a Teacher Librarian until her well-deserved retirement in December 1986.
Retirement didn't slow Joan Margel's fervour for collecting folklore and oral history narratives. In the 1990s, she immersed herself in gathering stories of the Rycroft area and her family. Inspired by the teachings of Dr. Andriy Nahachewsky and Radomir Bilash on Ukrainian culture and folklore at the University of Alberta, Joan expanded her knowledge of fieldwork methods, interview indexing, storytelling skills, and archiving communication. Volunteering at the Ukrainian Cultural Heritage Village open-air museum and contributing to the Local Culture and Diversity on the Prairies project, she played an instrumental role in preserving and celebrating cultural heritage. Joan Margel's unwavering commitment to community involvement extended beyond her teaching career.
Active in numerous projects from 1990 to 2010, she contributed her time and expertise to initiatives such as the Alberta Women's Memory Project, Northern Alberta Women's Archival Association, Alberta Genealogical Society, Federation of East European Family History Societies, Ukrainian Pioneers Association of Alberta, Treaty 8 Centennial Commemoration, and various ecological and mental health projects. Furthermore, Joan showcased her musical talents by participating in the Ukrainian Choir Dnipro and spearheading the Edmonton chapter of the Raging Grannies after hearing about the Vancouver group. In 2022, Joan Margel continued to reside in Edmonton, Alberta, using her professional experience to inspire and enlighten others through presentations like "Leave a Verbal Legacy."

Michael Sopulak was Head of the Department of Social Care of the UCC, later a professor at the Ukrainian Theological Seminary in Hirschberg (Germany) and Kulemborg (Holland), since 1949 chancellor of the diocese in Edmonton (Canada), and director and co-editor of the "Ukrainian News" publishing house.

Michael Sopulak graduated from the Seminary of the Holy Spirit in Lviv with a bachelor's degree in Theological Studies, M.A., and Ph.D. in Theological Studies in Innsbruck, Austria.

After graduation, he was ordained a priest in 1936 by the Auxiliary bishop Ivan Buchko. The subdiaconate was conferred on him by the Metropolitan Andrey Sheptytsky.In Lviv he was a director of the Vocational School, and therefore director of the Publishing House "Biblos".

During World War II, Michael went west and began working in Krakow for the Ukrainian Central Committee as the head of its Social Welfare Department. There he provided important assistance to Ukrainians in need and, especially, Ukrainian political prisoners.

During the Surrender of Germany in 1945 Michael was in Nuremberg. After the arrival of the Americans, he began to work in the committee in Fürth near Nuremberg. Later he was called to become a professor of dogmatics at the Ukrainian Theological Seminary in Hirschberg, Germany, where he also served as deputy rector.

In 1949 Dr. Sopulak moved to Canada for permanent residence in the Edmonton Eparchy, Alberta. Michael served as a Chancellor of the Eparchy and the Director of the “Ukrainian News” Publishing House. He worked in this position for more than 30 years, later serving as an editor-in-chief and as the head of the “Ukrainian News” publishing house.

Michael Sopulak founded the Ukrainian Catholic Church of the Eucharist in North Edmonton in 1950, and St. Michael's Ukrainian Cemetery in 1955. Among other achievements, on the initiative of Dr.Sopulak, was purchased and built the Ukrainian Village, which annually hosts summer camps for Ukrainian school children.
Dr. Sopulak was struck down with a serious illness in 1981. The last 24th issue of the weekly “Ukrainian News” newspaper was already edited on his hospital bed.