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2.6 - Alberta Branch UCBC

This series contains files relevant to the membership and operations of the UCBC Alberta Provincial Branch.
Please note that "Edmonton Eparchy" was more often used in organizational files that might refer to the Alberta Branch, see Series 2.7 and the subseries within for more materials.

Correspondence
CA BMUFA 0011-1 · Series · 1932-1991
Part of Doris Yanda collection

The series contains Doris Yanda correspondence predominantly with the following institutions and people:

  • Ukrainian Women’s Association of Canada
  • Ukrainian Voice newspaper
  • Myr. Stechyshyn
  • Maria Madiuk
  • Batytskyi
  • Ivakh
  • Natalia L.Kohuska; Наталія Л. Когуська
  • P.J. Lazarowich
  • Mr. Momryk
  • Jean Mekitiak
  • and others
    It also comprises correspondence and pay checks related to the publication of Yanda's book "Ukrainian weaving patterns with instructions."
Publications
CA BMUFA 0011-6 · Series · 1933-2005
Part of Doris Yanda collection

Copies of publications authored by Doris Yanda and about or mentioning Doris Yanda or her family members.

Personal information
CA BMUFA 0014-1 · Series · 1925-1966
Part of Elsie Kawulych collection

The series consists of personal documents of the Kawulych family members (the birth certificate of Anna Kawulycz issued in 1925 in Poland; and documents related to the estate of Wasyl Kawulych) and newspaper clippings about Mike Kawulych.

Family correspondence
CA BMUFA 0014-2 · Series · 1970s-2000s
Part of Elsie Kawulych collection

This series includes correspondence with various individuals and families in Ukraine (mostly western: L'viv, Ternopil', Ivano-Frankivs'k, Chernivtsi regions), letters from Brazil and Argentina, North America, and Poland. Some letters have photographs. Most letters are addressed to Mike and Elsie Kawulych.

Photographs
CA BMUFA 0014-4 · Series · 1927-1977
Part of Elsie Kawulych collection

The series consists of photographs from a trip to Ukraine in 1967 (Kyiv, L'viv, Sokolia, Ialta); Vegreville, AB.
Photographs from Ukraine 62 from Ukraine black and white (have some duplicates)
Photographs in colour 39 from Ukraine (on the plastic bag was written: Mr. Kubryk photo)
Random photographs from Vegreville (5 photographs)
Wedding photo of Ivan I Olena Kubrak 1927; Mission at 1st church in Vegreville with the cross. Early 40’s; 2 girls in Ukrainian costumes sitting on the grass Sophie Kubrak (R) and Vera Ludwick (L) 1939; family photo of Kubrak’s family 1977 50th anniversary John and Helena Kubrak and children; a family wedding photo black and white)
UF2018.010.p001 in colour a group of men
UF2018.010.p002 b&w group of actors in costumes on verso written in English: Elsie Kawulych. Back row – Sam Sasyk, - - - Sybut. Middle row – John Kubrak , John Palzat, Front – Roy Ludwik, - , Mrs Bill Kieryluk, Mrs. Anne Ludwik; In pencil: John Kubrak Box 186, Vegreville. On the front written in Ukrainian: Amatorskyi Kruzhok prystavlena - Karmeliuk - April 2nd 1932 Vegreville.
UF2018.010.p003 b&w portrait of 2 men. Copy. Was in the frame originally. On the front was written in Ukrainian: Stephan (the surname is illegible).
UF2018.010.p004 Group photo with priest and nuns. b&w. On verso written: 1964.
UF2018.010.p005 Group photo with the priest. B&w.

This series contains copies of selected materials from the fieldtrips that were combined, edited, and annotated for presentations in Brazil itself, as well as later presentations and publications based on these trips. Nahachewsky made a number of edited videos on specific topics in the form of DVDs while based in Prudentópolis, distributing them to specific relevant interviewees and community members. He gave public presentations in Prudentópolis, in Irati, and several times in Curitiba, prepared with Photoshop slideshows. Presentations based on the trip were also made on various specific topics in Canada and elsewhere in the following years. Dedicated subseries contain information on the development of the exhibit Oi! Ukrainians in Brazil in Farms and Cities (see also the Nahachewsky collection containing research and publications), as well as editorial drafts and communication related to the book Ukraintsi Brazylii / Os Ucranianos do Brasil / Ukrainians in Brazil (Maryna Hrymych, Andriy Nahachewsky, Serge Cipko, and Olga Nadia Kalko, eds., Kyiv: Duliby, 2011).

This series contains digital and hard copies of printed materials brought from Brazil and which cover general themes about Ukrainians, about Brazil, or about Ukrainian topics. If a publication deals very specifically with the focused topic of one of the other series, it is located there, so a booklet of Easter Haivky, for example, will be placed in the series on Calendar Customs. This series includes copies of newspapers, book and chapter publications, manuscripts, videos, audio files, phonograph labels, printed ephemera, and records of Brazilian-based exhibits. The texts are in Ukrainian or Portuguese, and occasionally in English. Most of these publications are written in Brazil itself, though others were created elsewhere and brought into Brazilian collections.

This series contains photographs, maps and other information about specific locations relevant to the Ukrainian community in Brazil. A subseries is dedicated to landscapes and cityscapes, providing a general sense of the physical appearance of those places. If an item deals with a particular public location that is not specifically associated with Ukrainian cultural life, such as a big cathedral in a city, then it is placed in the series on Public Spaces below. The collected fieldwork on various specific folkloric traditions reveals that Ukrainian Brazilian culture has had strong regional diversity as it became consolidated over the 20th century, and this diversity continues to some degree. A separate subseries of maps in this series contains general and detailed, contemporary and historical maps of Brazil, Paraná specifically, and especially the Municipio of Prudentópolis. Many of the maps are reproduced by photography, and thus divided in segments.

10 – Immigration, History

This series contains information on immigration history to Brazil, with a strong focus on Ukrainian immigration. Some interviews and documents describe particular migration stories, and others provide more generalized narratives. Early years in the cities and in the colonias predominate, though historical and family developments throughout the 20th centuries are included, such as secondary migration into northwest Paraná, the anti-ethnic tension in the period of World War Two, later waves of immigration, and relations with Ukraine. A subseries devoted to Ethnic Public Monuments focuses strongly on Ukrainian commemorations, but include those of neighbouring ethnic groups. Items produced as Ukrainian national symbols are collected into a separate subseries, strongly connected with materials in the series on Organized Life and on the Ukrainian churches. The subseries on Museums contains documentation of the physical structures of the museums, and overviews of their collections and presentation. If a photograph or other document focuses on a particular museum object, it is placed in the series on Settlements, Agriculture, Homelife, Organized Life, or Church Life, as most relevant. A smaller subseries is devoted to Education, and particularly Ukrainian educational materials and activities in Brazil. Documentation about general Brazilian historical culture, treated self-consciously as “heritage” is also found here (materials about old houses, historic transport, pioneering farming practices for example).

This series contains materials associated with agriculture, agricultural practices, and tools, including contemporary agriculture, as well as remnants and remembrances of practices from the past. The idea of agriculture is treated broadly here, and this series includes related traditional activities and crafts such as animal husbandry, textile making, lumbering, hunting, stonework, shoemaking, barrel making, and others. Information specifically about plants and animals is collected in a special subseries.

16 – Church

This series has a strong focus on church architecture, with many photo essays documenting the current form of dozens of particular churches, their interiors, exteriors, and churchyards. A second strong focus is on icons, holy pictures, and religious art. A great many of the approximately 240 Ukrainian churches in Brazil were built after the 1960s, and many have been (re)painted since that time. Numerous local and international iconographers and painters have been engaged to paint them, many with strong personal styles and diverse skill levels. Numerous other holy pictures are displayed in houses, public facilities, museums, and in the artists’ studios. During the fieldwork, an explicit research interest developed in the various iconographers and painters, with dedicated interviews in several cases. This series also assembles historic information and participant observation of religious life from parishioners’ perspectives. Video recordings include church services and holiday celebrations. This series overlaps closely with the series on Calendar and Life Cycle celebrations, and with the series on organized life.

Pathways to hopak

Gordon Gordey documents his dance concept and director’s vision, including performance photographs, for the creation of the contemporary original dance theatre work Pathways to Hopak. Libretto and choreography were undertaken by Viktor Lytvynov. Set and costume design by Maria Levytski. The dancework was created for The Ukrainian Shumka Dancers of Canada.

First Draft Concept/Libretto was created in 2002.
Premiere Performance, Canada Dance Festival at National Arts Centre, Ottawa: June 12, 2004.