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This collection consists of audio recordings and photographs. Recordings include news/talk shows, interviews conducted for CEESSA, and meetings and conference presentations from CEESSA. They cover diverse topics such as: problems in Central and Eastern European studies at the time and how universities and their departments function, immigration, politics, languages, daily life, life on the Canadian Prairies, life in Canada during WWII, CEESSA’s organization, goals, and projects.

This project was the core fieldwork collection phase of Jason Golinowski's master thesis.

A dozen or more dance competitions are organized in western Canada which include or focus exclusively on Ukrainian dance, with an estimated total of some 8000 entries per year in recent years. The number of competitions and competitors has risen significantly in the past five years. This increase in popularity raises numerous questions regarding the functioning of "ethnic" cultural activities in this country. Various theories explaining "ethnic persistence" and "ethnic revival" have been proposed. The present project is designed to develop an empirical base of data to test aspects of these conceptual models.

The project consists of asking competition organizers for competition programs and marks through their histories, information which is quite readily available to these committees. A detailed database of the competitors, their home group, instructors, their marks and placements, adjudicators, repertoire and other information will allow an analysis of behavior trends that will shed light into the functions of the competitions and the motivations of the various categories of participants.

This project is relatively self-contained and has been proposed as a Master's thesis by Jason Golinowski in the Ukrainian Folklore Program in the Department of Modern Languages and Comparative Studies. It is also connected to a larger study conducted by Dr. Andriy Nahachewsky, dealing with "new ethnicity" and Canadian Ukrainian dance.
(from Project proposal)

The collection consists of folk songs recorded during December 1979 for the UKR-422 Ukrainian Folklore course at the University of Alberta. It includes texts of 21 songs collected by Boris Radio from Mrs. T. Gural, Mrs. N. Radio, and Mrs. Hulewich, their biographical information. In addition to transcripts of the songs, Boris translated them. The audio cassette contains recording of the songs and histories of interviewees.

The collection consists of two series: one contains materials developed by Dr. Bohdan Klid for the Ukrainian History and Culture course in 1999; and the second comprises material on contemporary popular music and politics in Ukraine, 2004-2012.

The collection consists of video recordings created during fieldwork by folklore students, graduate students, faculty, and other researchers associated with the Kule Folklore Centre.

The collection consist of documents related to the Kalyna Country project collected by the Government of Alberta advisor for Kalyna Country Ecomuseum Bill Tracy. It includes materials of the Kalyna Country Ecomuseum Trust Society, Kalyna Country Destination Marketing organization, Shandro museum and Lakusta museum.

The Kalyna Country Ecomuseum Project was initiated in 1990 as a joint undertaking by the then Department of Culture and Multiculturalism and the Candian Institute of Ukrainian studies. Conceptually the Ecomuseum was to preserve and develop the heritage resources - both cultural and natural - of a 15,000 square kilometer portion of East Central Alberta which was primarily settled at the turn of the century by Ukrainian pioneers. In 1992 the residents of the area organized themselves into a non-profit association called the “Kalyna Country Ecomuseum Trust Society”. The Board of Directors of the Society were drawn from across the entire ecomuseum which has been divided into “electoral districts”. The Society had undertaken various research and promotional projects.

Kalyna Country Ecomuseum is a “heritage” and eco-tourism district, “living” outdoor museum in rural East Central Alberta.

Officially, Kalyna Country comprises Sturgeon County, Thorhild County, Smoky Lake County, the County of St. Paul No. 19, the County of Vermilion River, the County of Two Hills No. 21, the County of Minburn No. 27, Beaver County, Lamont County, and Strathcona County and many of the neighbouring urban municipalities, Indian reserves and Metis settlements.

This collection consists of materials collected by Ashley Halko-Addley for her graduate research project, Waxing Away Illness, at the University of Alberta. In 2018, Ashley conducted interviews and observations of the wax ceremony in Saskatchewan and Alberta. This collection consists primarily of transcripts, audio recordings, and fieldnotes, with select supplementary materials.

A supplementary website was created by Ashley Halko-Addley. The website highlights some of the participants and important selections from their interviews. The website can be accessed here: https://sites.google.com/ualberta.ca/waxingawayillness/

The collection consists of field materials collected by Anna-Marie Kryschuk as part of her assignments for the folklore courses she took at the University of Alberta. It includes collected folk remedies, and folk songs performed during vinkopletennia (wreath weaving ritual).

The collection consists of pillow covers and a wall hanging embroidered by Anna Drepko, Maria's mother, and memorial cards collected by her at various funerals in Winnipeg and area.

This collection includes wedding songs, winter cycle songs, and various other songs sung by Maria Mazuryk.

The collection consists of various course assignments submitted by Andriy when he was a master and PhD student in the Ukrainian Folklore Program at the University of Alberta. The assignments cover different topics of Ukrainian and Ukrainian Canadian traditional culture and folklore, and include field recordings as well as final essays.

This collection contains the results of two ethnographic trips to the Ukrainian communities in Brazil by Andriy Nahachewsky. The first trip took place from 4 May to 26 May 2009, and included Andriy Nahachewsky, Serge Cipko, John C. Lehr, and Maryna Hrymych. This was the first trip to Brazil for each of the participants, though they each had strong credentials in their disciplines and in fieldwork more generally. Thus the project goal was to cast a wide net for general orientation into the historical and contemporary life of the Ukrainian communities there. Each researcher also had specific personal goals. The trip included visits to Curitiba, Prudentópolis and several rural communities nearby, Craveiro in Santa Catarina, São Paulo, Brasília, and Foz do Iguaçu. The agenda included visits to an agricultural cooperative, meetings with diplomats and organizational representatives, and diverse individuals who could speak about life in their communities. Photographs by Hrymych, Lehr, and Cipko are also accessioned into the BMUFA and located in their own respective collections.

The second trip was undertaken by Andriy Nahachewsky, for 6 months from 14 November 2009 to 13 May 2010. The goal of the project was to continue the first exploratory fieldtrip, intensifying and expanding it. The project had a strong diachronic focus, documenting change in cultural traditions, to understand better how Ukrainian cultural content, rooted in 19th century rural traditions in western Ukraine, became transplanted, disappeared, adapted, and sometimes newly created in its diaspora setting in the Brazilian context. The intent was to be able to compare these processes with similar ones known from the Ukrainian Canadian context, as well as culture in western Ukraine itself, which also changed significantly over the 20th century: One cultural root, and three branches evolving on three continents over 120 years.

Another aspect of the fieldtrip was connected with Nahachewsky’s earlier “Local Culture and Diversity on the Prairies” project, which strove to provide documentation about regional differences in traditional Ukrainian culture in the Canadian setting. This аspect of the project was to try trace local differences in Brazilian culture in a similar way. Some of these regional differences were probably most clear in past decades. A third aspect was more synchronic, aimed to document contemporary life. Connected with this, the Brazil trip involved travelling to some 65 communities in the states of Paraná, Santa Catarina, Rio de Janeiro, and São Paulo, the main Ukrainian settlement areas in Brazil. The project involved recording some 300 audio interviews, 53 hours of video recordings of contemporary events, 14,000 photographs, and gathering many publications and manuscripts (in hard copy and reproduced digitally), as well as diverse artifacts. The overall focus in subject matter was broad, including material culture (farming practices, folk arts), customs (calendar holidays, weddings, funerals, etc) and performing arts (music, dance). Special foci developed for dance materials, religious images, church architecture, cemeteries, music, and weddings, because of Nahachewsky’s research background, opportunities, and experiences as the fieldwork proceeded. The trips were both funded by the Huculak Chair and the Kule Folklore Centre (for the first trip: Nahachewsky, Hrymych, and various shared expenses). During both trips, the hosts in the home base in Prudentópolis, as well as other locations in Brazil, were very warm and hospitable, open, and generous. A copy of the digital photo, audio, and video fieldwork materials was deposited in the Museu do Milênio in Prudentópolis.