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This series contains reports that were written by the organization about their activities or specific projects.
Materials in this series span (1986 - 2006, 2008, 2015).

This series includes materials from national conferences hosted by UCBC. Files contain correspondence, agendas and minutes, programs, reports, promotional materials and financial documents at times.
Materials in this series span (1967 - 1998, 2001, 2004, 2006, 2007, 2010)

This series contains files from projects planned and executed by UCBC. The bulk of the materials in this series are from the "Catholic Action" project that ran from 1950-1952.
Other materials in this series span (2002-2004, 2018-2020)

This file contains promotional materials created by the UCBC, including the "Bulletin" publication.
Materials in this series span (1946 - 1972, 1965-1968, 1987, 1990 - 1994, 2005 - 2017).

This series contains files relevant to the membership and operations of the UCBC Saskatchewan Eparchial Branch.

This series contains files relevant to the membership and operations of the UCBC New Westminster, BC Eparchial Branch

A segment of a handwritten fiction manuscript about Robert and Victoria (pp. 209-404, chapters VIII-XII) with an index, and some additional notes at the end. The author is not indicated by it seems to be Doris Yanda's handwriting.

Reports of Doris Yanda, a head of women's page editorial board of the "Ukrainian Voice" newspaper.

Materials related to workshops that Doris Yanda held at her house and other locations; membership lists, attendance rolls, handouts, etc. Materials of the Ukrainian Weaving Guild, Hand Weavers, Spinners and Dyers of Alberta, and other heritage weavers' organizations used by Doris Yanda for her workshops.

Books and magazines form Yanda's collection include:

• Siryi, Iurii. Ukraina zemlia moikh bat'kiv. New York, 1952
• Velyka Istoriia Ukrainy. Vydannia Ivana Tyktora. Manitoba, Winnipeg
• Woycenko, Ol'ha. U rokovyny 70-littia Zhinochoho rukhu. Soiuz Ukrainok Kanady: Alberta, Edmonton, 1954
• Iliustrovanyi Kaliendar "Ukrains'koho Holosu": prysviachenyi organizatsiinii pratsi ukrains'koho zhinotstva v Kanadi 1934. Ukrains'kyi Holos, Ukrainian Publishing Company of Canada, Ltd.: Manitoba, 1934
• Iliustrovanyi kaliendar "Ukrains'koho Holosu" 1952. Ukrains'kyi Holos, Ukrains'ka vydavnycha spilka v Kanadi: Manitoba, Winnipeg, 1952
• Kaliendar Kanadiis'koho Farmera 1952. Kanadiis'kyi farmer: Manitoba, 1952
• Iliustrovanyi kaliendar "Ukrains'koho Holosu" na 1932 rik. Ukrains'kyi Holos, Ukrains'ka vydavnycha spilka v Kanadi: Manitoba, Winnipeg, 1932
• Chast' kaliendarna: Kaliendar "Ukrans'koho Holosu". Ukrains'kyi Holos, Ukrains'ka vydavnycha spilka v Kanadi: Canada, Manitoba, Winnipeg, 1930
• Iliustrovanyi Kaliendar "Ukrains'koho Holosu": prysviachenyi organizatsiinii pratsi ukrains'koho zhinotstva v Kanadi 1934. Ukrains'kyi Holos, Ukrainian Publishing Company of Canada, Ltd.: Canada, Manitoba, 1934
• Nova khata: [zhurnal dlía plekannia domashn'oi kul'tury]. Kooperatyva "Ukrains'ke narodnie mystetstvo." Europe: Ukraine, L'viv obl., L'viv, 1925-1939 (43 issue)

The series consists of embroidered textiles (tablecloth, neck ties) and three album covers: one wooden, and two made of straw and wood. Straw album covers were hand made in DP camp in Germany by Dmytro Kubrak (straw design, dyed, cut and made) - uncle of Elsie Kawulych who also lived in Vegreville and worked at Imperial Lumber Co.

This series contains information about project planning, administration, correspondence for the two trips taken by Andriy Nahachewsky to Ukrainian Communities in Brazil. This series includes the collector’s fieldnotes, drafts of databases, information about the three other researchers during the first trip, Brazilian supporters, some of the interviewees as individuals, and the contexts for travel and conducting the fieldwork.

This series contains photographs and other documents of specific public spaces in Brazil, not specifically associated with Ukrainian cultural life, but part of the environment of the Ukrainian immigrants and descendentes.

Artifacts are assembled into a special series for logistical purposes. Items include ethnic pop art and souvenir objects, as well as occasional vernacular culture artifacts.

Gordon Gordey documents his dance concepts and libretto, including performance photographs, for the creation of the original dance theatre work Girl in the Red Dress TANGO. Created for the Ukrainian Shumka Dancers of Canada.

First Draft Concept/Libretto was created in 2006.
Premiere Performance, Northern Alberta Jubilee Auditorium, Edmonton: November 10, 2007.

This series includes 31 issues of the Beztaktnist newsletter, which was compiled by David Marples and distributed internally throughout the Canadian Institute of Ukrainian Studies from 1980 until 1991.
The second issue states: "Beztaktnist is a humorous look at life in the Institute and Ukrainian affairs generally. Contributions are welcomed, even demanded. Hopefully it will appear on the second Monday of each month."

The series consists of records related to teaching Ukrainian language, culture and folklore, and includes course outlines, assignment and test designs, reading lists, correspondence with students, fieldwork projects, and other records starting from early course offerings in the end of 1970s, and until early 2000s. The courses covered are: Ukrainian Folk Song, Ukrainian Folk Prose, Ukrainian Calendar Customs, Rites of Passage, Folk Bilief, Material Culture, and Early Ukrainian Canadian Culture. There are also materials related to graduate students, master and PhD, whom Dr. Medwidsky supervised, and to their theses and dissertations.