The file consists of materials collected by Dr. Klymasz in Fork River, MB, and includes mostly folk songs, a story, and a description of a wedding tree preparation.
This file contains the personal correspondence between Dr Medwidsky and various individuals. Correspondence concern academic appointments as well as church business. There are also newspaper clippings about Ukrainian Catholic news.
File consists of photos of church paintings at St. Barbara Church, Edmonton
The file consists of 8 family portraits prior to 1932.
Letter from niece Anna Halazyka to Waclawski; letter from Anna Halazyka to Waclawski (1983-03); letter from Anna Halazyka to Waclawski (1982-04-28); letter from Anna Halazyka to Waclawski; letter from Anna Halazyka to Waclawski (1981-01-26); Easter greeting card from Anna and Bohdan Halazyka; Christmas greeting card from Anna and Bohdan Halazyka
The series consists of an essay "One Rushnyk" which discusses a rushnyk owned by Mrs. Severyn, and its numerous meanings for her. Submission for the course Ukrainian 427.
This dancework was created for The Ukrainian Shumka Dancers of Canada and received its premiere at the Northern Alberta Jubilee Auditorium on November 11, 2006. Shumka Remembers is multi-media dancework tribute to those who served and those who wished to serve in world conflicts. It was directed for the stage by Gordon Gordey, with Canadian modern dance choreographer Brian Webb and Shumka’s Resident Choreographer, Dave Ganert, and was danced by the Shumka company. The stage performance included guest appearances by Nicholas Faryna, an active service Afghanistan veteran and Bill Rawluk, a WWII veteran. The presence in the performance of these soldiers linked soldiers from WWI to those of more recent times and the present. The music for this dancework came from the repertoire of Winnipeg singer, Alexis Kochan and her musicians: Paris to Kyiv. Her haunting voice for There is a Gravemound in the Field (Oj U Poli Mohyla) was a cornerstone for the dramatic emotion in Shumka Remembers. The video of Shumka Remembers was shown in Kyiv on Remembrance Day 2008 under the patronage of Canada’s former ambassador to Ukraine, Abina Dann. Shumka Remembers is a tribute to the unjust internment of Ukrainian Canadians as “enemy aliens” in Canada during WWI. These “enemy aliens” were subjected to having to carry registration identity papers, often pay monthly registration fees, and were under constant surveillance. Of the 80,000 who were registered under the authority of the Act, 8,579 were deemed: “enemy aliens”. The majority of “enemy aliens” were Ukrainians and were arrested and interned in 26 makeshift encampments located mostly in Canada’s frontier hinterlands. They were forced into hard labour clearing land for roads, building bridges, and building the railway.
First Draft Concept/Libretto for Shumka Remembers, the original work that led to Voices of the Silenced, was created in 2003.
Shumka Remembers - Premiere Performance, Northern Alberta Jubilee Auditorium, Edmonton: November 11, 2006.
This work consists of descriptions of Ukrainian wedding customs and wedding songs recorded from Mrs. Olga Savaryn (mother) and Mrs. Olena Prystajecky (grandmother). All songs are transcribed and translated. This collection was a result of a fieldwork project which was part of the assignment for the UKR 422 course at the University of Alberta in the fall term of 1979. This project includes: sheet music, song lyrics, and indexed interviews.
A description of how an outdoor oven (p'iets) was made and how the weather influenced the use of it from the recollections of Ivan Ivasiuk.
UntitledAn analysis and comparative sources of some beliefs about weather collected from a taped interview.
File consists of Programs of Wadym Dobrolige’s art exhibitions and Valentina Dobrolige’s student recitals
The essay "The Ukrainian wedding: The effect of memebership in Ukrainian cultural organizations on retention of Ukrainian wedding traditions" discusses the influence of cultural groups such as the "Shumka Dancers" in preserving and reviving traditional rituals, Appendix, Project Proposal, Annotated Bibliography
Notebook with protocols and minutes of the meetings in 1919, 1919-1923, and 1931.