This comparative study analyzes Klyment Kvitka's ethnomusicological guides in contrast to other Ukrainian folk music guides.
Cherwick, BrianA collection of kolomeiky, lyrical songs collected from three women who came from western Ukraine. The essay also analyzes the construction of the kolomeika and compares these collections to some found in traditional literary collections.
Includes wedding songs and customs, harvest songs, spring songs (hahilky), love songs, humorous songs, Cossack songs, carols, Malanka songs, kolomyiky, and proverbs collected by Irene Scharabun for the UKR-421 course at the University of Alberta.
"Ukrainian Contemporary Music and Youth" incorporates 10 interviews attempts to discover why Ukrainian youth listen to contemporary music and whether or not they prefer Ukrainian contemporary music composed in North America or the music from Ukraine. Includes a questionnaire.
Booyar, Natalia"The Development of the Contemporary Bandura Scene in North America" discusses bandura playing and ensembles in North America with a brief history of how the Bandura came into existence.
Osachuk, VivianForwarded to J.F. Bolduc
Klid discusses MLAs and pianists.
A review of a book of folksongs gathered by Marko Vovchok,issued by Muzychna Ukraina in1979.
Bandera, Mark JaroslavAn annotated bibliography about the bandura.
Bandera, Mark JaroslavA description of the tsymbaly including a description of a tsymbaly maker, Tom Chychul.
Bandera, Mark JaroslavField videos of Chychul making tsymbaly
Bandera, Mark JaroslavThe material was collected by Roman Brytan for his UKR-421 course at the University of Alberta. The collection consists of texts and some musical scores for songs sung in Alberta communities. Contains musical scores for some songs and choreography for dance songs.
The audio recording contains songs recorded in Edmonton from Sophia Klymkovych, Mykhailo Shmihel's'kyi and Maria Bukyda in December 1978.