The collection is composed of creator's six medals with copies of papers (according to the donation agreement -- "originals are in National Archives of Canada, Ottawa"), five badges, one papal scroll, one photograph (a portrait), and a printed biography and obituary.

The collection consists of materials related to Mychailo Holynsky carrier as opera singer. It includes concert programs, posters, newspaper clippings about the creator, his concert tuxedo and embroidered silky necktie, correspondence, photographs, and recordings of Holynsky singing.

The collection consists of papers accumulated over the years by John Yaremko. It includes twenty-two letters from his nephew Mike Kotyk, ten letters from Mike Zahara, letters and postcards from Makuch, M. Mузика (M. Muzyka), Jackowsky, John Diakun, В. Вернюк (William Werniuk), Mike Lazoruk, and several letters from the government. There are also other documents such as tax payment receipts, meal tickets, the Workers' Benevolent Association of Canada membership card, unemployment relief card, 'notices of distress,' a filed lawsuit, etc. Yaremko's photo was taken around 1920s. His biography was written by Rose Kotyk in 2003.

Documents of the Ukrainian National Hall in Edmonton

Collection includes biographical materials about Lahola and his family, Correspondence between Lahola and different individuals and organizations, Lahola's life during World War 2: his experience in Auswitch, and various other prisons and concentration camps. Includes textual records of Lahola's community life in Canada, published materials, and miscellaneous information. Correspondence includes letters from the Committee for the Construction of the Greek Catholic Cathedral of the Intercession of the Blessed Virgin thanking Lahola for the donation of $100 for the construction of the cathedral (May 17, 1993), letters from the UCC President O. Romaniv thanking Lahola for his $500 donation to the Ukrainian Embassy Foundation in Canada, Ukrainian Public Committee a monument to Taras Shevchenko in Lviv with a request for a donation of money and thanking them for the donation; a letter from the Regional Cathedral of St. John the Baptist with a money donation request; a catalog of the Ukrainian samizdat "Torch" (1985-1986) and letters from the editors about sending books, a thank you letter from the Research Program of Ukrainian Churches for a donation of 10 dollars; greeting cards with Christmas, Easter, Mother's Day, etc. Printed materials include a program of the concert in honour of the first visit of Cardinal Joseph Slipyi on the Congress of Ukrainian Catholics of Canada in Edmonton (June 30, 1968, design of the stage and program of V. Dobrolizh); an invitation to the Ukrainian Day on August 10th, 1980 and the unveiling of the monument by to Leo Mol "Ukrainian Family", an invitation to the Mourning Academy of the 50th anniversary of the Holodomor (November 6, 1983) in Edmonton, along with other invitations and programs.

The collection consists of the audio recordings of proverbs recorded by Jason Golinowski with Andriy Nahachewsky for the Zabava program on the 840 CFCW.

Writing from the War project collection consists of testimonials of Ukrainians about their experiences of the Russian-Ukrainian war. Writing from the War is a volunteer project aimed at collecting, preserving, and disseminating such testimonials. Documenting testimonials (texts, videos, and photographs) will provide the world audience with a panoramic, firsthand picture of the Ukrainian tragedy and allow those affected by it to be heard. This collection is an important research source for historians, culturologists, philosophers, political scientists, and students, as well as a source of inspiration for artists throughout the world.

These firsthand testimonials were transmitted to the project team from various hiding places; from shelters, train stations, and refugee camps; from besieged cities. There are testimonials by soldiers, volunteers, doctors, drivers, teachers, animal rights activists, cooks, artists, and scientists – people of all professions; by adults and children, displaced persons, rescuers and the rescued – in short, anyone interested in sharing their experience with the world. This is a panoramic picture of the wartime “everyday,” reflecting private experiences during this catastrophe. All the testimonials were provided to the project team by the witnesses themselves, and every story has a title, and a record of the person behind it.