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Archival description
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CA BMUFA 0067 · Collection · 1978-1979

The collection consists of Ukrainian proverbs, jokes and comic tales collected in Alberta for Ukrainian Folklore courses taken by Roman at the University of Alberta.

Petriw, Roman
CA BMUFA 0071 · Collection · 1978

The collection consists of an essay that analyzes comic elements of Walter Rutka's album "The Ukrainian Cowboy", and an audio cassette, which is a field recording of Walter Rutka singing the following songs: 1) Mansion on the Hill, 2) Bashful Dancer, 3) Homebrew, 4) Lara's Theme, 5) Pryvit, 6) Kolomyika, 7) Molodyi Viter.

Korban, Joanne
CA BMUFA 0076 · Collection · 1979

The collection consists of folk songs recorded during December 1979 for the UKR-422 Ukrainian Folklore course at the University of Alberta. It includes texts of 21 songs collected by Boris Radio from Mrs. T. Gural, Mrs. N. Radio, and Mrs. Hulewich, their biographical information. In addition to transcripts of the songs, Boris translated them. The audio cassette contains recording of the songs and histories of interviewees.

Radio, Boris
CA BMUFA 0034 · Collection · 1979, 1980

A collection of texts of songs, proverbs and customs collected from informants in Alberta. Appendix contains text of a religious letter from Father Kuban.

Luciw, Daria
CA BMUFA 0085 · Collection · 1979

The collection consists of descriptions of Ukrainian wedding customs and wedding songs recorded from Mrs. Olga Savaryn (mother) and Mrs. Olena Prystajecky (grandmother). All songs are transcribed and translated. This collection was a result of a fieldwork project which was part of the assignment for the UKR 422 course at the University of Alberta in the fall term of 1979.

Savaryn, Helen
CA BMUFA 0134 · Collection · 1982-1987

A collection of course work by Mark Bandera including book reviews, annotated bibliographies, and essay on topics such as folklore, folksongs, tsymbaly, and bandury.

Bandera, Mark Jaroslav
CA BMUFA 0144 · Collection · 1982-1984

This collection includes essays on Ukrainian customs in Canada, korovai as a folk art, and the Ukrainian Museum of Canada. Also included is an article review.

Kopan, Marijka
CIUS oral history project
CA BMUFA 0021 · Collection · 1982-1984

Oral History Project was implemented by the Canadian Institute of Ukrainian Studies in 1982-1984. During that period of time two researchers -- Lubomyr Luciuk and Zenon Zwarycz -- interviewed more than 135 members of the Ukrainian community all over Canada, both immigrants and those already born in Canada. The interviews were digitized in 2014-2016 producing a database of over 400 sound files. The interviews focus on the Ukrainian organizational life both in the Old Country and Canada, as well as political and/or social activities of the interviewees. They also encompass childhood and formative years of each interviewee, their education, family stories, participation in the Ukrainian War of Independence, WWI, routes of emigration to Canada, patterns of settlement within Canada, relations with a broader Canadian society; WWII, DPs, Ukrainian-Canadian institutions, prominent personalities, as well as the religious and political mosaic inside the Ukrainian community in Canada.

Canadian Institute of Ukrainian Studies
CA BMUFA 0211 · Collection · 1983, 1984

The collection consists of essays and questionnaires created by Natalia Booyar as part of her assignments for the Ukrainian Folklore courses at the University of Manitoba.

Booyar, Natalia
CA BMUFA 0111 · Collection · 1984-1990

This collection includes analyses on the wax ceremony performed by Ukrainian Canadians as folk medicine as research for her Master's thesis at the University of Alberta.

Hanchuk, Rena Jeanne
CA BMUFA 0102 · Collection · 1984

The collection consists of essays and supporting material collected by Frank Fingarsen while taking Ukrainian Folklore courses at the University of Alberta.

Fingarsen, Frank
CA BMUFA 0101 · Collection · 1985

This collection includes an essay written by Greg Robinson for the course Ukrainian 499.

Robinson, Greg
CA BMUFA 0073 · Collection · 1986

This collection contains a book review and an essay on Ukrainian mixed marriages written by Walter Garbera for his Ukrainian courses.

Garbera, Walter
CA BMUFA 0046 · Collection · ca. 1990

The collection consists of the brochure of the Taste of Ukraine restaurant and the menu. The Taste of Ukraine restaurant was located near Chipman, Alberta. The house was originally built by John Wyrha (1908-1911) near Caliento, MB, approximately 10 miles from Vita, MB, near the US border. The house was purchased by Michael and Evdokia Mushaluk, parents of Mrs. Fedoryshyn and then sold to Stephen Fedoryshyn in 1935. Stephen and Mary Fedoryshyn lived in the house until 1967. They had two daughters: Roslyn who married John Bohonos, and Mrs. Stephen Verchomin, wife of Peter Verchomin.

In the summer of 1979, Henry Panych purchased the house and on Labour Day weekend, he and his brother Fred carefully recorded the layout of the house and tagged every timber and material (except the thatch). With the help of two local people the house was dismantled and loaded on a Doucet Transport high boy and hauled to Chipman, AB.

In 1980 the house was assembled in a new location using original timber. The decayed material was replaced. The unique 12 foot chimney was reconstructed by Jim Serink and the rye straw for the thatched roof was made by John Stanko.

CA BMUFA 0048 · Collection · 1993-1998

The collection consists of field materials collected by Jason Golinowski during his master studies at the Ukrainian Folklore program, University of Alberta, as well as essays on a wide range of Ukrainian folklore topics, such as Ukrainian crafts, rites of passage, folksongs, celebrations, personal narratives, and others.

Golinowski, Jason
CA BMUFA 0049 · Collection · 1995-2000

The collection consists of field materials collected by Sogu Hong during his courses at the Ukrainian Folklore program, University of Alberta, as well as essays on a wide range of Ukrainian folklore topics: Ukrainian folk songs, ethnic jokes; immigrant tombstones; calendar customs and family rites, such as Christmas, childbirth, weddings; folk arts and crafts; foodways, and others.

Hong, Sogu
CA BMUFA 0028 · Collection · 1996-2002

This project was the core fieldwork collection phase of Jason Golinowski's master thesis.

A dozen or more dance competitions are organized in western Canada which include or focus exclusively on Ukrainian dance, with an estimated total of some 8000 entries per year in recent years. The number of competitions and competitors has risen significantly in the past five years. This increase in popularity raises numerous questions regarding the functioning of "ethnic" cultural activities in this country. Various theories explaining "ethnic persistence" and "ethnic revival" have been proposed. The present project is designed to develop an empirical base of data to test aspects of these conceptual models.

The project consists of asking competition organizers for competition programs and marks through their histories, information which is quite readily available to these committees. A detailed database of the competitors, their home group, instructors, their marks and placements, adjudicators, repertoire and other information will allow an analysis of behavior trends that will shed light into the functions of the competitions and the motivations of the various categories of participants.

This project is relatively self-contained and has been proposed as a Master's thesis by Jason Golinowski in the Ukrainian Folklore Program in the Department of Modern Languages and Comparative Studies. It is also connected to a larger study conducted by Dr. Andriy Nahachewsky, dealing with "new ethnicity" and Canadian Ukrainian dance.
(from Project proposal)

Local Culture project
CA BMUFA 0003 · Collection · 2003-2005

The goal of the Local Culture and Diversity on the Prairies project was to document everyday life, ethno-cultural identity and regional variation among people of Ukrainian, French, German and English heritage. How did people from diverse backgrounds interact, adapt and become "prairie Canadians" in the first half of the twentieth century? What was the relationship between cultural inheritance and local community participation? How did they express their various identities on the local community level? The project was designed to generate a great deal of documentary information and primary resources for further research in many aspects of these people's lives.

The collection consists of some 800 hours of audio recordings documenting life in approximately 450 different locations on the Prairies and across Canada prior to 1939, as well as video recordings, photographs, documents, field notes and other material associated with the project.

Kule Folklore Centre
CA BMUFA 0058 · Collection · August 20, 2003

The collection consists of an interview conducted with Chester Myroslav Kuc by Andriy Nahachewsky and Larisa Sembaliuk Cheladyn on August 20, 2003. The interview focused primarily on Chester Kuc's life story, his youth and his parents' encouragement for him to be active. It also deals with his teaching dance and the founding of Shumka and Cheremosh, and dance in general. Some information about his house and his various other arts and crafts interests: embroidery, pysanky, etc. is included as well.

Nahachewsky, Andriy