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"Ukrainian Contemporary Music and Youth" incorporates 10 interviews attempts to discover why Ukrainian youth listen to contemporary music and whether or not they prefer Ukrainian contemporary music composed in North America or the music from Ukraine. Includes a questionnaire.

This paper discusses the Ukrainian customs and rites related to pregnancy and childbirth that are presently being done by Ukrainians and Ukrainian Canadians. Includes project proposal.

The collection consists of the interview conducted by Larisa Cheladyn with Nadia Korpus in Calgary, and her final essay based on her research and this interview entitled "Through the eyes of Nadia Korpus: A snap shot of Ukrainian dance in Canada from the 1930s to 1970s." The essay examines Ukrainian dance in Canada from 1930s to 1970s as seen through the eyes of one person. It starts in Regina, SK, where Nadia began Ukrainian dancing as a small girl, and then criss-crossed the country as she participated in various summer programs and seminars, taught and created Ukrainian dances and formed her own Ukrainian dance group in Calgary "Rusalka". Ukrainian identity, involvement in the Ukrainian National Federation (UNF), Ukrainian Women's Organization, Summer School "Kursy" in Winnipeg are also discussed.

"Ukrainian dumplings and Ukrainian Canadians' foodways" describes the folk cookery or foodways of Ukrainian-Canadians and in particular varenyky or pyrohy.

"A Study on Ukrainian Embroidery Traditions among Ukrainian Canadians" describes the linear development of Ukrainian embroidery tradition in Edmonton, Canada. Includes: questionnaire and material list.

"Ukrainian Heritage Village Museum in Edmonton, Alberta" includes a recollection of Natalia's visit to The Ukrainian Heritage Village. The project includes: first impressions, monument descriptions, and her overall perspective.

"Study on Ukrainian immigrant tombstones" discusses the ritual of building tombstones for the dead with a focus on the tombstones of the first generation of Ukrainian immigrants.

Documents of the Ukrainian National Hall in Edmonton

The collection consists of records of the Ukrainian Educational Association (Укр. Тов. Просьвіта ім. М. Павлика) in Vermillion, AB; and records of the Ukrainian National Society of Taras Shevchenko of Derwent, Alberta. Records include:

• Incorporation papers of the Ukrainian National Society of Taras Shevchenko of Derwent, AB
• Order Book of the Ukrainian National Society of Taras Shevchenko of Derwent, AB
• Membership list of the Ukrainian National Society of Taras Shevchenko of Derwent, AB
• Financial records of the Ukrainian National Society of Taras Shevchenko of Derwent, AB
• Meeting minutes of the Ukrainian Educational Association (Укр. Тов. Просьвіта ім. М. Павлика) in Vermillion, AB
• Library contents of the Ukrainian Educational Association (Укр. Тов. Просьвіта ім. М. Павлика) in Vermillion, AB
• Financial records of the Ukrainian Educational Association (Укр. Тов. Просьвіта ім. М. Павлика) in Vermillion, AB
• Handwritten Vertep.

The collection consists of the Certificate of Incorporation (1941), history of the organization in Ukrainian and English, meetings agenda and minutes, correspondence between UPAA and various people in Ukraine, project reports and documentation (includes two publication projects: Svarich Memoirs and Plawiuk's Ukrainian Proverbs), photographs and a ledger.

A collection of texts including spring songs (haivky), kolomyiky, religious songs, love songs, wedding songs, Easter songs, harvest songs, as well as descriptions of wedding customs and rituals collected from Alberta residents.

The collection consists of three photographs from the unveiling of Kule Theatre at Grant MacEwan University event.

A collection of songs in Ukrainian text sung by Vasyl Diachuk who emigrated to Canada in 1952 from Bukovyna. Includes a biographical sketch of the informant, as well as texts and musical scores to the items collected.

The collection consists of organizational documents of the Verkhovyna ensemble, correspondence, photographs, concert programs, brochures, and press clippings.

Anna-Marie discusses Vinkopletennia (wreath weaving ritual) songs collected around Saskatoon in this project.

The Viter Ukrainian Folk Group Choir was a large group project, supported by KuFC equipment and logistics. Graduate students from the Fall 2014 Folklore Research Methods class (MLCS) taught by Andriy Nahachewsky attended a number of rehearsals and performances by the Viter Ukrainian Folk Choir of Edmonton. Students gained experience using recording equipment, conducting interviews and then published their findings. They produced two short videos documenting the choir on stage and as a community.

Students: Nataliya Bezborodova, Larisa Cheladyn, Kateryna Kod, Kelci Mohr, Deepak Paramashivan, Allison Sokil and Dana Wylie.

Aside from two films, there are many photographs in the collection.

This is a typed manuscript of Ukrainian proverbs compiled by Volodymyr Plaviuk (Vladimir Plawiuk). Many have handwritten notes next to them, corrections, or translations.

This collection contains a book review and an essay on Ukrainian mixed marriages written by Walter Garbera for his Ukrainian courses.

The essay discusses a loom bought by the Trachuks, how they use it, and its significance in relation to their Ukrainian heritage and especially as a Canadian hobby. A video interview with Bill and Jessie Trachuk found on VHS UF1993.019.v1001.