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This collection consists of the following groups of materials:

• baptism and Canadian citizenship certificates,
• biographies,
• private photographs and negatives, portraits,
• certificates of honour,
• appreciation letters and greeting postcards,
• materials of anniversary celebrations: thank you letters, clipping about Telychko's 75-anniversary celebration (1982),
• newspaper publications, presentations and addresses by Telychko: essay about the Day of Statehood (1960), an obituary of Metropolitan Illarion (1972), Telychko's speech at the Ukrainian schools' exhibit opening (1979),
• eight broadcast scripts compiled by Telychko about Mykola Leontovych, Lesia Ukrainka, Mykola Lysenko, some historical events (Konotop battle, Carpathian Ukraine), SUS convention in 1979, Easter holiday, and Thanksgiving Day.

Eight letters from the Klapouszczak family members in Pastushe village (in 1920 in Poland, then in the Soviet Union, now - Ukraine) to relatives in Edmonton, Alberta.

Various paintings and a drawing of the Kazymyra family. Includes 1 pastel drawing, 3 oil paintings, and 1 unfinished oil study.

The collection consists of a study essay by Joyce Sirsk-Howell, memory stories of Ukrainian women and two students' notebooks. The essay describes how a specific poyas (sash) came into the possession of the informant, how a typical sash is made and its cultural and emotional significance.

The collection consists of papers accumulated over the years by John Yaremko. It includes twenty-two letters from his nephew Mike Kotyk, ten letters from Mike Zahara, letters and postcards from Makuch, M. Mузика (M. Muzyka), Jackowsky, John Diakun, В. Вернюк (William Werniuk), Mike Lazoruk, and several letters from the government. There are also other documents such as tax payment receipts, meal tickets, the Workers' Benevolent Association of Canada membership card, unemployment relief card, 'notices of distress,' a filed lawsuit, etc. Yaremko's photo was taken around 1920s. His biography was written by Rose Kotyk in 2003.

The collection consists of an essay that analyzes comic elements of Walter Rutka's album "The Ukrainian Cowboy", and an audio cassette, which is a field recording of Walter Rutka singing the following songs: 1) Mansion on the Hill, 2) Bashful Dancer, 3) Homebrew, 4) Lara's Theme, 5) Pryvit, 6) Kolomyika, 7) Molodyi Viter.

The collection consists of field materials collected by Jason Golinowski during his master studies at the Ukrainian Folklore program, University of Alberta, as well as essays on a wide range of Ukrainian folklore topics, such as Ukrainian crafts, rites of passage, folksongs, celebrations, personal narratives, and others.

The collection consists of correspondence, leaflets, and reports related to the fundraising for and subscription to the Encyclopedia of Ukraine (Енциклопедія Українознавства), which the creator collected as a representative of the "Encyclopedia of Ukraine" dissemination in Alberta and a treasurer of the Patronage NTSh-EY-2 in Edmonton. The other part of the collection is comprised of the documents related to the Alberta fundraising for the Leonid Pliouchtch family in France. The collection also includes a rare collective photo from 1936 or 1937.

The collection contains ephemera collected from various Ukrainian Canadian community events in Edmonton, area, and other location across Canada, publications, and art cards.

The collection predominantly consists of records between the mid-1940s and late 1990s and includes various records related to Ivan (John) Lahola and his family. It includes biographical materials, correspondence, and documents covering Lahola's life during World War II, detailing his experiences in Auschwitz and other prisons and concentration camps. The collection encompasses textual records related to Lahola's community life in Canada, published materials, and miscellaneous information. Notable correspondence involves letters from different organizations thanking Lahola for donations, including contributions to the construction of the Greek Catholic Cathedral and the Ukrainian Embassy Foundation. Additionally, the collection contains greeting cards, and printed materials such as program invitations and catalogs, offering insights into Lahola's engagement with community events, cultural activities, and charitable causes.

The collection consists of three groups of materials. Firstly, a two-volume "History of Ukrainian art" by Ivan Keywan; secondly, a series of reproductions of artworks by different artists; thirdly, two articles by Ivan Keywan.