A collection of texts including spring songs (haivky), kolomyiky, religious songs, love songs, wedding songs, Easter songs, harvest songs, as well as descriptions of wedding customs and rituals collected from Alberta residents.
Sans titreIncludes wedding songs and customs, harvest songs, spring songs (hahilky), love songs, humorous songs, Cossack songs, carols, Malanka songs, kolomyiky, and proverbs collected by Irene Scharabun for the UKR-421 course at the University of Alberta.
The material was collected by Roman Brytan for his UKR-421 course at the University of Alberta. The collection consists of texts and some musical scores for songs sung in Alberta communities. Contains musical scores for some songs and choreography for dance songs.
The audio recording contains songs recorded in Edmonton from Sophia Klymkovych, Mykhailo Shmihel's'kyi and Maria Bukyda in December 1978.
The project consists of songs and verses collected in Edmonton from the informants Joe Olinyk, Anna Olinyk, Mrs. Helena Pinkyj, Mrs. Eva Kurylo, Mrs. Maria Stratychuk, Mrs. Annie Kapach, and Mrs. Mary Lagoski, some of whom grew up in Galicia or Bukovina and immigrated to Canada.
The collection consists of a fieldwork project and final papers done by Markian Kowaliuk for the Ukrainian Folklore courses at the University of Alberta.
Sans titreA collection of kolomeiky, lyrical songs collected from three women who came from western Ukraine. The essay also analyzes the construction of the kolomeika and compares these collections to some found in traditional literary collections.
A collection of course work by Mark Bandera including book reviews, annotated bibliographies, and essay on topics such as folklore, folksongs, tsymbaly, and bandury.
Sans titreA comparison of traditional Ukrainian folksongs from contemporary Poland with those in North America. An analysis of Lemko features in music and a general discussion of song types, texts and translations.
Sans titreA review of a book of folksongs gathered by Marko Vovchok,issued by Muzychna Ukraina in1979.
Sans titreThis collection includes an essay on proverbs, riddles, and sayings along with a book review for the courses Ukrainian 423 and Ukrainian 422.
Sans titreThe collection consists of essays and questionnaires created by Natalia Booyar as part of her assignments for the Ukrainian Folklore courses at the University of Manitoba.
Sans titreThis collections includes an essay by Vivian Osachuk on the development of the contemporary bandura scene for the course Ukrainian Arts in Canada.
Sans titreField videos of Chychul making tsymbaly
Sans titreAn annotated bibliography about the bandura.
Sans titreThis collection includes a reel-to-reel with Reverend Zuzak and Mrs. M. Werezak singing, and interviews with Mrs. S. Trefiak and Mrs. M. Herman on superstitions, northern lights, and more.
Sans titre"Ukrainian Contemporary Music and Youth" incorporates 10 interviews attempts to discover why Ukrainian youth listen to contemporary music and whether or not they prefer Ukrainian contemporary music composed in North America or the music from Ukraine. Includes a questionnaire.
Sans titre"The Development of the Contemporary Bandura Scene in North America" discusses bandura playing and ensembles in North America with a brief history of how the Bandura came into existence.
Sans titreA description of the tsymbaly including a description of a tsymbaly maker, Tom Chychul.
Sans titre"The Electric Tsymbaly: An instrument from the past plugs into the future" describes attempts by Michael and Joe Tkachyk to electrify the traditional tsymbaly.
This comparative study analyzes Klyment Kvitka's ethnomusicological guides in contrast to other Ukrainian folk music guides.
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