Affichage de 237 résultats

Description archivistique
23 résultats avec objets numériques Afficher les résultats avec des objets numériques
Writings from the War project
CA BMUFA 0260 · Collection · 2022-2023

The Writings from the War / Я пишу з війни collection consists of testimonials of Ukrainians about their experience of the Russian invasion of their country. The project’s archiving coordinator Alex Averbuch periodically deposits firsthand testimonials transmitted to the project team from various hiding places; from shelters, train stations, and refugee camps; from besieged cities. The project’s team also includes Valentyna Vzdulska (the initiator of the project), Daria Bairak and Maryna Solohub (SMM managers and co-coordinators), as well as numerous volunteers assisting in translating the testimonials and maintaining project platforms (website, social media).

The mission of Writings from the War is to collect, preserve, and disseminate these testimonials, both in the language of the original and English translation, so as to provide a documentary source for researchers, academics, students, journalists, artists, and the public in general. There are testimonials by soldiers, volunteers, doctors, drivers, teachers, animal rights activists, cooks, artists, and scientists – people of all professions; by adults and children, displaced persons, rescuers and the rescued – in short, anyone interested in sharing their experience with the world. This is a panoramic picture of the wartime “everyday,” reflecting private experiences during this catastrophe. All the testimonials have been provided to the project team by the witnesses themselves, and every story has a title, and a record of the person behind it.

The project has been carried out since March 2022 in collaboration with the University of Alberta’s Kule Folklore Centre.

Testimony from Borodyanka, Ukraine
CA BMUFA 0302 · collection · 2022

The fonds consist of two pdf files, including a book by Valentyn Moyseyenko in Ukrainian and an English translation with illustration and cover.

CA BMUFA 0016 · collection · 1932 - 2022

The collection consists of founding documents, correspondence, meeting agenda and minutes, bulletins, congress and convention programs, reports, directories, promotional material and publications.

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Peter and Doris Kule collection
CA BMUFA 0114 · Collection · 1936-2021

The collection consists of various certificates granted to Peter and Doris Kule: those awarded for their work in the community, as well as professional and educational ones.

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Ukrainian Diaspora Composers collection
CA BMUFA 0271 · Collection · 2001-2021

The collection consists of articles about Ukrainian diaspora composers researched, written, and translated within the Ukrainian Diaspora Research Project conducted by the Ukraine Millennium Foundation.

The Composers of the Ukrainian Diaspora Research Project was initiated in 2001 when Pittsburgh musicologist Taras Filenko, PhD, approached Ukraine Millennium Foundation president Gordon (Bud) Conway, offering to research and author the project. The UMF Board supported the concept and received permission from the Alberta Gaming and Liquor Commission to use gaming funds to pay for the long-term project. The project was to include the biographies of approximately 40 composers living and working outside Ukraine. It was originally conceived as a book, but ultimately has become a compilation placed into the Bohdan Medwidsky Archives of the Kule Centre at the University of Alberta.

Phase One, completed in 2021, contains articles on 21 composers of the Ukrainian diaspora. Written primarily in Ukrainian, the files have been translated into English and edited by Lada Hornjatkevyc from 2008 to 2021.

In a letter dated from October 3, 2001, Dr. Filenko related the rationale of the project:

“One of the purposes of this project is to bring hitherto hidden composers into the spotlight of international music. I feel strongly that there will be many discoveries. For example, there were two brothers-composers in the Ukrainian musical milieu at the end of the 19th century. Their surname was Akimenko, one of them emigrated to France and the other remained in Ukraine and composed under the pen name Stepovy.

I recently learned that the brother in France, although living in poverty, composed music as well… This is just one of the many interesting realities on the journey into the unknown terrain of the resurrection of Ukrainian music.”

Many years later, in 2020, Dr. Filenko explained why the article on Vasyl Bezkorovayny was still incomplete. The archive was in his brother’s private home in Simferopil and had been inaccessible since the Russian takeover of Crimea. These stories reveal some of the challenges in compiling research on composers included in this project.

Because Ukrainian history includes centuries of foreign domination, a great number of composers and musicians left their homeland and took up residence in other countries. Australia, Canada, Italy, Czechia, France, Germany, Poland, Russia, Slovakia and other countries have benefitted from the talents of their nationals of Ukrainian heritage. The Ukraine Millennium foundation intends to fund research into the identification of these composers.

Phase One of the Composers of the Ukrainian Diaspora Project includes Fedir Akimenko, Virko Baley, Vasyl Bezkorovayny, Peter Deriashnyj, George Fiala, Mykola Fomenko, Michael Hayvoronsky, Andrij Hnatyschyn, Wadym Kipa, Alexander Koshetz, Marian Kouzan, Gary Kulesha, Larysa Kuzmenko, Hryhory Kytasty, Zenoby Lawryshyn, Zenowij Lysko, Yuriy Oliynyk, Roman Prydatkevytch, Ihor Sonevytsky, Stefania Turkewich-Lukianovych and Wasyl Wytwycky.

The Diaspora Composers Project was designed to develop through four stages, described by Dr. Filenko in 2002:

Stage 1. Initial (Preliminary)
Evaluation of the existing research related to the project. Gathering publicly available and published information on the subject. Further delineation of the sub-stages of the project. Definition of the most efficient way of gathering information.

Stage 2. Intermediate
Systematization of the material based upon historical, socio-political, geographical and cultural criteria.

Stage 3. Advanced
Selection of auxiliary sources for additional information. Reevaluation of the cultural context and the role of the particular individual in cultural development and his/her influence on the musical culture. Musicological analysis of the selected compositions, comparative analysis of the stylistic characteristics, etc.

Stage 4. Final Stage
Unification of the form of presentation, development of academic apparatus, such as indices, maps, music examples, photo materials, and possibly audio material. Style of footnotes, especially related to archival materials from different countries, list of illustrations and additional materials.

Future of the Project
Upon completion of the Composers of the Ukrainian Diaspora Project (Phase One), with files on 21 composers placed in the Bohdan Medwidsky Archives in 2021, UMF intends to continue to fund Phase Two of the project.

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Ashley Halko-Addley fieldwork collection
CA BMUFA 0228 · Collection · approximately 2018-2019

This collection consists of materials collected by Ashley Halko-Addley for her graduate research project, Waxing Away Illness, at the University of Alberta. In 2018, Ashley conducted interviews and observations of the wax ceremony in Saskatchewan and Alberta. This collection consists primarily of transcripts, audio recordings, and fieldnotes, with select supplementary materials.

A supplementary website was created by Ashley Halko-Addley. The website highlights some of the participants and important selections from their interviews. The website can be accessed here: https://sites.google.com/ualberta.ca/waxingawayillness/

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CA BMUFA 0259 · Collection · 2019

This collection consists of five final papers by students in the SLAV-204 class Slavic Folklore & Mythology taught by Maria Mayerchyk, Huculak Research Fellow, in the Fall term 2019. Topics covered are Dovbush, Ukrainian wedding, Baba-Yaga, Propp, and symbolism of the rooster. This collection also contains a copy of the course outline.

CA BMUFA 0236 · Collection · 10 January 2019

The collection consists of photographs of the event organized by the KuFC to celebrate Ukrainian Christmas in January 2019. The event was held at the Student Lounge at the Arts & Convocation Hall, University of Alberta, and was well attended by people from MLCS, Arts Centres and Institutes, and Ukrainian Canadian community. Traditional Ukrainian Christmas dishes were served and carols were sung by the participants.

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Pavlo Lopata collection
CA BMUFA 0094 · Collection · 2017

The collection consists of an interview with Ukrainian Canadian artist and iconographer Pavlo Lopata conducted by Maryna Chernyavska on October 25, 2017 at the Kule Folklore Centre, University of Alberta.

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Kuryliw family collection
CA BMUFA 0093 · Collection · 1930s-2017

The collection consists of personal documents of Anna and Wasyl Kuryliw, family photographs, correspondence between Wasyl and Anna, and other materials.

The film Chapters & Verses: Action Bill's Walk through Life - a documentary about Wasyl Kuryliw directed by his daughter Oksana Kuryliw and produced by Oksana Kuryliw and John Leeson is also part of this collection. Other materials include: Sonia Holiad's introduction to the premier screening of the film on September 12, 2017 at the Spadina Theatre at Alliance Française in Toronto; photographs of the Edmonton screening of the film, on October 27, 2017, and a poster of the event; and poems by Ivan Franko handwritten by Wasyl Kuryliw, which he used to take with him to work around 1965-1974 in Sudbury.

Anna Kuryliw's wedding dress with the veil is also part of this collection, as well as the wedding photograph of Wasyl and Anna. There is also a photo print of 4 women (Anna among them - 3rd from the left) with a sewing machine, which was bought by Vasyl and sent to the Old Country with the proposal to Anna to marry her. Her wedding gown was sewn with it.

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Rodyna Ensemble collection
CA BMUFA 0112 · Collection · 2012-2017

The collection consists of the history of the Rodyna Ensemble written by Roman Varenica, a musical CD of their songs, a copy of lyrics of the song "Rodyno" handwritten by Mihajlo Ljahovič 17.08.2012, and a copy of the song "Kalena" also authored by Mihajlo Ljahovič.

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CA BMUFA 0039 · Collection · 2016

The collection consists of the photographs by Andriy Nahachewsky taken while in Wroclaw in the summer of 2016; music scores and publications collected at the Holy Cross Ukrainian Catholic church. There is a large Ukrainian community in this big city, which became part of Poland after WW2, and to which Ukrainians voluntarily and involuntarily moved as Poland Polonized Silesia (and de-Ukrainianized Lemkivshchyna, Chelm, Przemysl). The church is a huge cathedral. It is historically important and is a tourist destination.

The photographs depict the cathedral (Українська католицька катедра Воздвиження Чесного Хреста), Prawoslawna Parafia sw. Archaniola Michala (Orthodox Slavic Church), Ukrainian restaurants in Wroclaw, a graffito of Ukrainian trident.

Music scores are handwritten, typed or copied notation of the music sung by the cathedral choir, including church music, carols, Holodomor concert, etc.

The publications include one issue of the monthly periodical of the Ukrainian Greek-Catholic Church in Poland "Blahovist" (Благовіст), one issue of "Khrystyians'kyi holos" (Християнський голос) - a Ukrainian religious newspaper published in Munich, and an issue of the newspaper "Nash vybir" (Наш вибір) - a newspaper for Ukrainians in Poland. There is a brochure of the Prawoslawna Parafia sw. Archaniola Michala (Orthodox Slavic Church).

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CA BMUFA 0050 · Collection · 1996-2016

Gordon Gordey autobiographical reflection of a 40-year creative journey with The Ukrainian Shumka Dancers of Canada recounts his experiences creating his original artistic works with The Ukrainian Shumka Dancers of Canada. By documenting his dance concepts and librettos Gordey reveals his challenge to contribute original works to the canon of Ukrainian dance that is spiritually connected to generations of continuous cultural practice and resonates with 20th and 21st century audiences in Canada, Ukraine, Russia, and China. He speaks to evolving dance stories that embed themselves in viewer’s minds and become shared cultural touchstones in the evolution of our Canadian identity at home and abroad. Dance concepts and librettos for: Shumka’s Cinderella, Pathways to Hopak, Girl in the Red Dress TANGO, Vechornytsi (the multi-works in Life is a Cabaret), Eve of Kupalo - a Midsummer’s Night Mystery Masque and Voices of the Silenced are enhanced with photographs and video excerpts of the dances in performance.

This work was published in Ukrainian as a peer reviewed chapter in Collected Papers on Ukrainian Life in Western Canada, edited by V. Polkovsky and M. Soroka, Ostroh Academy National University Press, 2014, Vol. XLVII, Part Seven, pp. 242-275. All rights reserved. The English text was revised in 2016 for the deposit into the Archives. We have digital and physical access copies.

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Poster collection
CA BMUFA 0022 · Collection · 1960-2016

The Poster collections consists of 919 posters advertising various dance events as well as Ukrainian community events across Canada: festivals, dance and choir concerts, lectures and presentations, and many other.

The New Melody Kings collection
CA BMUFA 0095 · Collection · 2016

The collection consists of a Musical CD by the New Melody Kings titled "There's Something in the Wind". There is also a three page background story of the New Melody Kings written by Jerry Ozipko, and a one-page brief biography.

There's Something in the Wind
(Seven Selection EP)
©2016 STUDIOOZ Productions EP-01

Recording Engineer - Mike Brazeau, Reel Audio Productions

  1. Ne Teper Polka/"Not Now" (Polka) 2:29
    (Traditional Ukrainian Song)

  2. Shchos Nam Viter Naviva/"There's Something in the Wind" (Polka) & Arkan (Ukrainian Hutsul Dance) 3:06
    by Jerry Ozipko (2015)

  3. Chowen Ketaietsia/"The Rocking Boat" (Waltz) 3:33
    (Traditional Ukrainian Song)

  4. Chorney Ochi/"Dark Eyes" 2:34
    (Traditional Ukrainian Romance Song)

  5. Siyanka/"Sowing Wheat" (Kolomyjka) & Arkan (Traditional Hutsul Dance) 3:05

  6. Mazurka(Traditional Polish Dance) 3:52

  7. Hopak/"Cossack Dance" 1:55
    (Traditional National Dance of Ukraine)

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CA BMUFA 0037 · Collection · 2011-2016

The collection consists of the audio recordings of proverbs recorded by Jason Golinowski with Andriy Nahachewsky for the Zabava program on the 840 CFCW.

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Maidan on Facebook
CA BMUFA 0040 · Collection · 2014-01-19 - 2016-01-26

The project consists of the materials collected for Nataliya Bezborodova's master thesis. The thesis traces Internet textual representations of the Maidan, a wide-scale protest movement that took place in 2013-2014 in Ukraine, and their function in identifying the opposing sides during the protests. These texts helped to formulate new narratives, articulate attitudes, and build relationships, create a sense of community within the protestors’ side, which had its impact on institutional changes of commemorative practices.

Facebook served as an important platform for the initial appeal, for coordination between the participants, for reflections, and for identification of the opposing sides during the protests. It was a key space for sharing emotions, personal stories, humor and expressive forms of protest, making allusions to known literary works, historical events and world public figures.

Exploring the types of narratives and their contribution in identifying the opposing sides, the work is focused on digital stories that illuminate elements not covered by the professional media coverage and official reports. It traces the diverse forms, topics and expressive devices in the narratives, and identifies the categories of lore (eyewitness narratives, (re)telling of stories, jokes, poetry, songs, etc.). It provides juxtaposition of the patterns found in the text with the main events of each specific day.

The thesis provides several chapters that focus on: (1) a review of the historical context of the events; (2) an analysis of the data with reference to all categories and topics, and the main findings; (3) the role of humor and expressive devices in releasing the tension of the conflict and in helping to formulate the attitudes within the protestors’ side; (4) evidence of the functions of personal stories as they build relationships, create a sense of community, and validate the participants’ experiences and the significance of the events from the protestors’ perspectives; (5) interpretation within this protest lore, and its impact on institutional changes of commemorative practices as in the example of the Nebesna Sotnia (Heavenly Hundred) narrative formation and its correlation to the repertoire of motifs and terms of the selected historical periods: the Cossack, the Ukrainian National Republic and World War II.
The study underlines the relevance of time and several patterns related to historical events, as Facebook posts immediately responded to the events occurring on the square and streets occupied by protestors, simultaneously with professional media outlets, and sometimes prior to them. These findings have important implications that go beyond the Ukrainian context in that they contribute to the further exploration of social networks functioning in relation to factual events.

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CA BMUFA 0078 · Collection · 2013-2015

The collection consists of field materials collected by Andreiv Choma, a master student in the Ukrainian Folklore program at the University of Alberta, during 2013-2015. The material was collected among Ukrainian communities in Brazil. It includes audio interviews with the members of Ukrainian Brazilian community, photographs (both historical and modern), copies of the wedding registry of Ukrainians in Mallet in 1907-1915, baptismal registry, handwritten papers of the Ukrainian Catholic Centre in Mallet, of the society "Ukrains'ka hromada", and other records. It also includes Andreiv's manuscript of the part of his master thesis (mostly in English, parts in Portuguese).

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Lubomyr Romankiw Plast collection
CA BMUFA 0018 · Collection · May 30, 2015

The collection consist of a photograph and audio recording of the talk Lubomyr Romankiw gave for the Edmonton Plast parents during annual Sviato Vesny (Spring Celebration) organized by Edmonton Plast at the Elk Island National Park in East Central Alberta on May 30, 2015. Dr. Romankiw speaks about Plast, its creation, and activities in the past and today in Ukraine and diaspora communities around the world.

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Elizabeth Holinaty collection
CA BMUFA 0031 · Collection · 1974-2015

The collection consists of various research materials compiled by Elizabeth Holinaty during her career as a weaver and active community member, including 14 binders with photographs, newspaper clippings, other research material on various folk costumes, weaving, kylymy, poiasy, rushnyky, headware, Ukrainian breads, korovai, Easter traditions, etc.; 18 woven and/or embroidered clothing pieces; calendars; posters; phonograph and video recordings.

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