Showing 23 results

Archival description
CA BMUFA 0229 · Collection · 1926

The collection consists of two notebooks with handwritten Ukrainian plays, as well as some music scores. One notebook has a script of a comedy play titled "Лікар крутар або поневолі лікарем: комедія на 3 дії. По сюжету Молієра перелицював М. Стрільчик"; and another comedy play script titled "Розбиті надії: комедія в 5 діях зі співами, хорами і танцями - Гр. Ів. Грушевського". The second notebook (written down in Edmonton) includes a drama play script titled "Крівава відплата ляхам: драма в 4 діях. Написав Степан Субала, У.С.С."; and a comedy play script "Канадийський редактор: комедія в двох діях. На тлі новелі Марка Твейна написав Г. Тиммора. Переклад Я. Бубнюка."

Stril'chyk, M.
CA BMUFA 0303 · Collection · 1972

The collection consists of 22 original graphic works. They were created by Ukrainian graphic artists for the 250th anniversary of the birth of Hryhoriy Skovoroda. Each work is original and signed by the author. All images are in the same format.

CA BMUFA 0270 · Collection · 1946-1988, predominantly the 1960s and 1970s

The collection consists of materials assembled by the creator when he served as secretary for the Ukrainian Catholic Council, the Ukrainian Catholic Brotherhood, and the Honorary Committee of a banquet in honor of Cardinal Slipyi. The collection includes correspondence, minutes, and financial reports. It also contains discrete materials of other organizations where the creator was a member, newspaper clippings, bulletins, photographs, and honorary charters.

Nakonechny, Michael
CA BMUFA 0010 · Collection · 2015

In the fall of 2015, the Canadian Centre for Ethnomusicology at the University of Alberta, with primary funding from SSHRC and additional support from KIAS, Faculty of Arts, Department of Music, Museums and Collections Services, Art Gallery of Alberta, dc3 Art Projects, Royal Alberta Museum, St. John’s Institute, and Cape Breton University, organized a symposium "Exhibiting Sound." The symposium took place at different venues in Edmonton on October 30 - November 1. "The symposium intended to advance creative, collective, blue-sky thinking about exhibiting sound: its natures, purposes, environments, and technologies; the processes of its curation; its relation to visual culture; and its role as creative, pedagogical, and scholarly output, across all the academic fields: arts, humanities, social science, science, and applied science." (http://www.exhibitingsound.ca)

Larisa Sembaliuk Cheladyn collaborated with the musician John Stech (Stechishin) and dancers Anastasia Maywood and Tatiana Cheladyn to explore and interpret three folksongs from the "Kymasz files". The performance took place on Saturday, Oct. 31 at the Art Gallery of Alberta as part of the symposium. The performance was followed by the Q&A and the four creators' reflections on the creation process.

Maryna Chernyavska, the archivist at the Kule Folklore Centre, filmed the performance.

The collection consists of the video recording of the performance and the Q&A and the symposium poster.

Sembaliuk Cheladyn, Larisa
Gregory Turko collection
CA BMUFA 0277 · Collection · 1932-1977

The collection is composed of creator's six medals with copies of papers (according to the donation agreement -- "originals are in National Archives of Canada, Ottawa"), five badges, one papal scroll, one photograph (a portrait), and a printed biography and obituary.

Turko, Gregory
CA BMUFA 0006 · Collection · end of 1950s - 1993

The collection consists of three albums of photographs many of which were included in the historical and ethnographic albums "Ivan Honchar: Ukraine and Ukrainians".

Honchar, Ivan
Local Culture project
CA BMUFA 0003 · Collection · 2003-2005

The goal of the Local Culture and Diversity on the Prairies project was to document everyday life, ethno-cultural identity and regional variation among people of Ukrainian, French, German and English heritage. How did people from diverse backgrounds interact, adapt and become "prairie Canadians" in the first half of the twentieth century? What was the relationship between cultural inheritance and local community participation? How did they express their various identities on the local community level? The project was designed to generate a great deal of documentary information and primary resources for further research in many aspects of these people's lives.

The collection consists of some 800 hours of audio recordings documenting life in approximately 450 different locations on the Prairies and across Canada prior to 1939, as well as video recordings, photographs, documents, field notes and other material associated with the project.

Kule Folklore Centre
CA BMUFA 0046 · Collection · ca. 1990

The collection consists of the brochure of the Taste of Ukraine restaurant and the menu. The Taste of Ukraine restaurant was located near Chipman, Alberta. The house was originally built by John Wyrha (1908-1911) near Caliento, MB, approximately 10 miles from Vita, MB, near the US border. The house was purchased by Michael and Evdokia Mushaluk, parents of Mrs. Fedoryshyn and then sold to Stephen Fedoryshyn in 1935. Stephen and Mary Fedoryshyn lived in the house until 1967. They had two daughters: Roslyn who married John Bohonos, and Mrs. Stephen Verchomin, wife of Peter Verchomin.

In the summer of 1979, Henry Panych purchased the house and on Labour Day weekend, he and his brother Fred carefully recorded the layout of the house and tagged every timber and material (except the thatch). With the help of two local people the house was dismantled and loaded on a Doucet Transport high boy and hauled to Chipman, AB.

In 1980 the house was assembled in a new location using original timber. The decayed material was replaced. The unique 12 foot chimney was reconstructed by Jim Serink and the rye straw for the thatched roof was made by John Stanko.

CA BMUFA 0027 · Collection

This is a collection of folklore materials and family archives from Roman Onufrijchuk, a key leader in the 1970s and 1980s "Cultural Immersion Camps" organized by CYMK, which involved many future leaders of the Ukrainian community across Canada. This unique and large collection highlights one family's experience in Ukraine, in the Displaced Camps in Europe, and in Canada. The Onufrijchuk fonds includes family photographs, correspondence, souvenirs, publications and a large collection of embroideries.

Onufrijchuk, Roman
Kostash family collection
CA BMUFA 0013 · Collection · 1911-2000

The collection consists of personal documents of William Kostash, documents related to Mary Kostash's teaching career, family and professional photographs, and correspondence between Mary and William, as well as letters from Mary's students.

CA BMUFA 0301 · Fonds · 1994 - 2014

The fonds consists of administrative records, minutes of board meetings, AGM meetings and their associated reports, financial records, and records associated with the various projects that the Friends supported and conducted. The fonds also includes promotional material, and various planning records and correspondence.

Friends of the Ukrainian Folklore Centre
Nadia Korpus Collection
CA BMUFA 0038 · Collection · 1941-1988

The collection is comprised of Rusalka Dance Ensemble archives, Nadia’s original choreography created for Rusalka, as well as related notes, correspondence, and reference materials for her creations.

Korpus, Nadia
CA BMUFA 0004 · Collection · 1973 - 1993

The Faculty Club Malanka collection features memorabilia from the annual Malanka that took place at the University of Alberta Faculty Club between January 13, 1973 and January 1993. Included in the collection are masks, programs and other ephemera related to the festivities. There are 20 masks worn by mummers for Malanka ’89. The masks were designed and created in December of 1988 by Meron Sembaliuk with the assistance of his father Paul Sembaliuk. Each mask was handmade, either with papier-mâché or from articles found around the home. Meron organized a group of his friends to take on the various characters associated with the event. Included were: Mark Ferbey (Malanka), Ihor Hlushok (Sun God), Vasyl Maluzynsky (Vasyl/soldier), Shannon Hohol (soldier), and Terry Taciuk (thief). Other characters included: a Bear, a Goat, a Gypsy, a Star, an Old Man, a Bird.

There is also a letter from Dr. Manoly Lupul addressed to the Faculty Club administration outlining menu requirements, plus program menus which were designed and printed by Larisa Sembaliuk Cheladyn. Decorations for the event included unique rushnyky (ritual towels) that were designed and created by Paul Sembaliuk with the assistance of his wife Pat Sembaliuk, and his children Larisa and her husband Mich, sons Philip, Meron, Yuri and youngest daughter Andrea. This collection has the rushnyk specifically worn by Roman Onufrijchuk, the master of ceremonies for Malanka ’77.

The first Malanka at the Faculty Club was hosted by Dr. Metro Gulutsan. In the years that followed MC’s were invited from within the Edmonton Ukrainian Community and beyond including: Roman Onufrijchuk and Myroslav Kohut.

Sembaliuk family
CA BMUFA 0002 · Collection · 1895-1980s

Collection consists of correspondence, memoirs, diaries, school reports, financial documents, photographs, research notes of Sophia Kyforuk and Octavia Hall.

Kyforuk family
CA BMUFA 0061 · Collection · March 13, 2010

Paska Workshop Documentation Project was a project by Natalie Kononenko that aimed to document a workshop conducted by Nadia Cyncar, a community leader, at the Ukrainian Catholic Parish of St. George. Attendees learned about Easter traditions, as well as how to bake paska (Easter bread), how to decorate it, symbolism of decorations, etc.

The cooking was done by Joyce Sirski-Howell. The collection consists of a video recording (raw footage), audio recording and photographs of the workshop. The team who documented the event consisted of: Natalie Kononenko, Maryna Hrymych, Svitlana Kukharenko, Maryna Chernyavska and Peter Holloway.

Kononenko, Natalie
CA BMUFA 0089 · Collection · 2007-03-23

The collection consists of an interview conducted by Jeanne Ferguson with Dr. Bohdan Medwidsky. The Interview was recorded at the Ukrainian Folklore Centre at the University of Alberta.

Medwidsky, Bohdan
CA BMUFA 0020 · Collection · late 1800s - late 1900s

The Sluzar Music Score is a collection of over 1,600 handwritten, copied and printed sheet music items and musical scores, and it contains more than 2,500 individual songs. It contains a unique variety of musical genres – from folk songs to opera and operetta scores, and from classical to liturgical and spiritual songs. Most of the pieces are arranged for choral performance; however, many solos, duets, quartets, and even instrumental arrangements are included as well.

The collection spans nearly a century in its compositions and publications, from the late 1800s to the end of the 20th century. Its songs reflect the incredibly rich historical legacy of the Ukrainian people and chronicle events from Cossack and chumak times all the way to the World Wars of the 1900s. The collection also strongly reflects the customs and traditions of the Ukrainian people through its assortment of folk songs – from hahilky and Kupalo songs to koliadky and shchedrivky.

Sluzar, Wolodymyr
CA BMUFA 0005 · Collection · 1960-1970

David Goberman photograph collection consists of several thousand photographs, taken in 1960-1970, that feature material culture and architecture of Bukovyna, Transcarpathia, and Galicia.

Goberman, David
Opryshko family collection
CA BMUFA 0047 · Collection · 1945-1975

Collection consists of correspondence between Opryshko family in Canada and in Poland and Ukraine.

Opryshko family