The collection consists of video and audio recordings of an interview with Peter and Doris Kule conducted by Natalie Kononenko in 2007. This material was used for the Kules' biography that was included into the Champions of Philanthropy book edited by Natalie Kononenko and Serge Cipko.
Kononenko, NatalieThe collection consists of a Musical CD by the New Melody Kings titled "There's Something in the Wind". There is also a three page background story of the New Melody Kings written by Jerry Ozipko, and a one-page brief biography.
There's Something in the Wind
(Seven Selection EP)
©2016 STUDIOOZ Productions EP-01
Recording Engineer - Mike Brazeau, Reel Audio Productions
-
Ne Teper Polka/"Not Now" (Polka) 2:29
(Traditional Ukrainian Song) -
Shchos Nam Viter Naviva/"There's Something in the Wind" (Polka) & Arkan (Ukrainian Hutsul Dance) 3:06
by Jerry Ozipko (2015) -
Chowen Ketaietsia/"The Rocking Boat" (Waltz) 3:33
(Traditional Ukrainian Song) -
Chorney Ochi/"Dark Eyes" 2:34
(Traditional Ukrainian Romance Song) -
Siyanka/"Sowing Wheat" (Kolomyjka) & Arkan (Traditional Hutsul Dance) 3:05
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Mazurka(Traditional Polish Dance) 3:52
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Hopak/"Cossack Dance" 1:55
(Traditional National Dance of Ukraine)
The collection consists of folk songs recorded during December 1979 for the UKR-422 Ukrainian Folklore course at the University of Alberta. It includes texts of 21 songs collected by Boris Radio from Mrs. T. Gural, Mrs. N. Radio, and Mrs. Hulewich, their biographical information. In addition to transcripts of the songs, Boris translated them. The audio cassette contains recording of the songs and histories of interviewees.
Radio, BorisOral History Project was implemented by the Canadian Institute of Ukrainian Studies in 1982-1984. During that period of time two researchers -- Lubomyr Luciuk and Zenon Zwarycz -- interviewed more than 135 members of the Ukrainian community all over Canada, both immigrants and those already born in Canada. The interviews were digitized in 2014-2016 producing a database of over 400 sound files. The interviews focus on the Ukrainian organizational life both in the Old Country and Canada, as well as political and/or social activities of the interviewees. They also encompass childhood and formative years of each interviewee, their education, family stories, participation in the Ukrainian War of Independence, WWI, routes of emigration to Canada, patterns of settlement within Canada, relations with a broader Canadian society; WWII, DPs, Ukrainian-Canadian institutions, prominent personalities, as well as the religious and political mosaic inside the Ukrainian community in Canada.
Canadian Institute of Ukrainian StudiesThis project was the core fieldwork collection phase of Jason Golinowski's master thesis.
A dozen or more dance competitions are organized in western Canada which include or focus exclusively on Ukrainian dance, with an estimated total of some 8000 entries per year in recent years. The number of competitions and competitors has risen significantly in the past five years. This increase in popularity raises numerous questions regarding the functioning of "ethnic" cultural activities in this country. Various theories explaining "ethnic persistence" and "ethnic revival" have been proposed. The present project is designed to develop an empirical base of data to test aspects of these conceptual models.
The project consists of asking competition organizers for competition programs and marks through their histories, information which is quite readily available to these committees. A detailed database of the competitors, their home group, instructors, their marks and placements, adjudicators, repertoire and other information will allow an analysis of behavior trends that will shed light into the functions of the competitions and the motivations of the various categories of participants.
This project is relatively self-contained and has been proposed as a Master's thesis by Jason Golinowski in the Ukrainian Folklore Program in the Department of Modern Languages and Comparative Studies. It is also connected to a larger study conducted by Dr. Andriy Nahachewsky, dealing with "new ethnicity" and Canadian Ukrainian dance.
(from Project proposal)
A collection of texts of songs, proverbs and customs collected from informants in Alberta. Appendix contains text of a religious letter from Father Kuban.
Luciw, DariaThis collection includes an essay written by Greg Robinson for the course Ukrainian 499.
Robinson, GregThe collection consists of descriptions of Ukrainian wedding customs and wedding songs recorded from Mrs. Olga Savaryn (mother) and Mrs. Olena Prystajecky (grandmother). All songs are transcribed and translated. This collection was a result of a fieldwork project which was part of the assignment for the UKR 422 course at the University of Alberta in the fall term of 1979.
Savaryn, HelenThe collection consists of field materials collected by Jason Golinowski during his master studies at the Ukrainian Folklore program, University of Alberta, as well as essays on a wide range of Ukrainian folklore topics, such as Ukrainian crafts, rites of passage, folksongs, celebrations, personal narratives, and others.
Golinowski, JasonThe collection consists of an interview conducted by Jeanne Ferguson with Dr. Bohdan Medwidsky. The Interview was recorded at the Ukrainian Folklore Centre at the University of Alberta.
Medwidsky, BohdanThe collection consists of an essay that analyzes comic elements of Walter Rutka's album "The Ukrainian Cowboy", and an audio cassette, which is a field recording of Walter Rutka singing the following songs: 1) Mansion on the Hill, 2) Bashful Dancer, 3) Homebrew, 4) Lara's Theme, 5) Pryvit, 6) Kolomyika, 7) Molodyi Viter.
Korban, JoanneThis collection includes essays on Ukrainian customs in Canada, korovai as a folk art, and the Ukrainian Museum of Canada. Also included is an article review.
Kopan, MarijkaPaska Workshop Documentation Project was a project by Natalie Kononenko that aimed to document a workshop conducted by Nadia Cyncar, a community leader, at the Ukrainian Catholic Parish of St. George. Attendees learned about Easter traditions, as well as how to bake paska (Easter bread), how to decorate it, symbolism of decorations, etc.
The cooking was done by Joyce Sirski-Howell. The collection consists of a video recording (raw footage), audio recording and photographs of the workshop. The team who documented the event consisted of: Natalie Kononenko, Maryna Hrymych, Svitlana Kukharenko, Maryna Chernyavska and Peter Holloway.
Kononenko, NatalieIn the summers of 1976-1981 inclusive, Patricia Pelech (Olsen) Carrow taught Ukrainian Folk Weaving at the Banff School of Fine Arts, now the Banff Centre, in their Visual Arts Department as part of its Weaving/Textile Arts program (later called Fibre Arts). She and her mother, Fiona Pelech, did extensive research in developing visual presentations for this course. They prepared over one thousand slides to present to the students as reference material. The sources for the slides are unknown.
Included in the slides are images pertaining to Ukrainian weaving, embroidery, costuming, baking, ceremonial occasions and photographs of the class participants in Banff.
Pelech Carrow, PatriciaCollection consists of Ukrainian folk songs and stories recorded by R. Klymasz during 1964-1965 at various locations in the Prairie Provinces and Ontario.
Klymasz, Robert BohdanThe collection consists of Ukrainian proverbs, jokes and comic tales collected in Alberta for Ukrainian Folklore courses taken by Roman at the University of Alberta.
Petriw, RomanThe collection consists of field materials collected by Sogu Hong during his courses at the Ukrainian Folklore program, University of Alberta, as well as essays on a wide range of Ukrainian folklore topics: Ukrainian folk songs, ethnic jokes; immigrant tombstones; calendar customs and family rites, such as Christmas, childbirth, weddings; folk arts and crafts; foodways, and others.
Hong, SoguThe collection consists of liturgical music, including Entrance and Recessional, Hymns in Honour of the Mother of God, Holy Spirit, Holy Eucharist, Various Saints, Tropars, Easter; and music scores and lyrics of Ukrainian folk songs (calendar cycle). It has been organized in three series: Folk music, Religious music, and Plast Song Books (self-published).
The collection consists of the brochure of the Taste of Ukraine restaurant and the menu. The Taste of Ukraine restaurant was located near Chipman, Alberta. The house was originally built by John Wyrha (1908-1911) near Caliento, MB, approximately 10 miles from Vita, MB, near the US border. The house was purchased by Michael and Evdokia Mushaluk, parents of Mrs. Fedoryshyn and then sold to Stephen Fedoryshyn in 1935. Stephen and Mary Fedoryshyn lived in the house until 1967. They had two daughters: Roslyn who married John Bohonos, and Mrs. Stephen Verchomin, wife of Peter Verchomin.
In the summer of 1979, Henry Panych purchased the house and on Labour Day weekend, he and his brother Fred carefully recorded the layout of the house and tagged every timber and material (except the thatch). With the help of two local people the house was dismantled and loaded on a Doucet Transport high boy and hauled to Chipman, AB.
In 1980 the house was assembled in a new location using original timber. The decayed material was replaced. The unique 12 foot chimney was reconstructed by Jim Serink and the rye straw for the thatched roof was made by John Stanko.
The collection consists of three photographs from the unveiling of Kule Theatre at Grant MacEwan University event.