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The collection consists of liturgical music, including Entrance and Recessional, Hymns in Honour of the Mother of God, Holy Spirit, Holy Eucharist, Various Saints, Tropars, Easter; and music scores and lyrics of Ukrainian folk songs (calendar cycle). It has been organized in three series: Folk music, Religious music, and Plast Song Books (self-published).

Anna-Marie discusses Vinkopletennia (wreath weaving ritual) songs collected around Saskatoon in this project.

The collection includes Yarema Kowalchuk's final essay for the course UKR-699.

This project contains texts of wedding and other traditional songs by John Ewasiuk who has sung at weddings for over 50 years.

The collection consists of songs and verses collected in Edmonton from the informants Joe Olinyk, Anna Olinyk, Mrs. Helena Pinkyj, Mrs. Eva Kurylo, Mrs. Maria Stratychuk, Mrs. Annie Kapach, and Mrs. Mary Lagoski, some of whom grew up in Galicia or Bukovina and immigrated to Canada.

"Ukrainian Canadians' folk songs of family life" describes changing Ukrainian family life as Ukrainian folk songs change accordingly. Includes a project proposal.

"Sing until you drop: The Ukrainian folk song tradition in western Canada" analyzes 19 lyrical-lifestyle folk songs and one kolomeika (dance song) sung at two informal singing sessions by two Canadian choir groups. Includes: essay and interview index

This comparative study analyzes Klyment Kvitka's ethnomusicological guides in contrast to other Ukrainian folk music guides.

The material was collected by Roman Brytan for his UKR-421 course at the University of Alberta. The collection consists of texts and some musical scores for songs sung in Alberta communities. Contains musical scores for some songs and choreography for dance songs.

The audio recording contains songs recorded in Edmonton from Sophia Klymkovych, Mykhailo Shmihel's'kyi and Maria Bukyda in December 1978.

The collection consists of fieldwork materials collected by Natalie Kononeko during her trips to numerous villages in Central Ukraine in 2001-2005. Interviews cover a wide range of folklore topics including ritual and belief, births, weddings, funerals, songs and stories, and more.

The collection of proverbs and beliefs consists of field notes by Demjan Hohol made during his fieldwork project for UKR-421 course in October-November 1977. It includes proverbs written down from respondents and their equivalents from Plaviuk and other sources.

The collection consists of verses collected in Canada from various pioneers from western Ukraine, and a collection of jokes, proverbs, New Year's verses and texts of other folk songs.

The collection consists of descriptions of Ukrainian wedding customs and wedding songs recorded from Mrs. Olga Savaryn (mother) and Mrs. Olena Prystajecky (grandmother). All songs are transcribed and translated. This collection was a result of a fieldwork project which was part of the assignment for the UKR 422 course at the University of Alberta in the fall term of 1979.

This collection includes an essay on proverbs, riddles, and sayings along with a book review for the courses Ukrainian 423 and Ukrainian 422.

A collection of kolomeiky, lyrical songs collected from three women who came from western Ukraine. The essay also analyzes the construction of the kolomeika and compares these collections to some found in traditional literary collections.

The essay is a study of the folksong repertoire of one woman, which is classified into different genres by their content. Interview index available.

Collection consists of Ukrainian folk songs and stories recorded by R. Klymasz during 1964-1965 at various locations in the Prairie Provinces and Ontario.

The collection consists of field materials collected by Anna-Marie Kryschuk as part of her assignments for the folklore courses she took at the University of Alberta. It includes collected folk remedies, and folk songs performed during vinkopletennia (wreath weaving ritual).

The collection consists of an essay written by Nadia Olga Vychopen for her UKR-421 Ukrainian Folklore course at the University of Alberta and describes the village of Zolota Sloboda and the various customs and celebrations within this village as she remembers it.

The collection consists of an essay which analyzes folkloric and symbolic elements in seven ballads by Taras Shevchenko.