This project includes a collection of wedding and funeral songs with musical scores recorded from various interviewees.

Part I is a collection of songs with music scores as recalled by Kateryna Aponiuk categorized as harvest songs, spring songs, carols and new year's songs , wedding songs. Part II is a record of Christmas customs as recalled by Wasyl Hoshko.

A collection of songs in Ukrainian text sung by Vasyl Diachuk who emigrated to Canada in 1952 from Bukovyna. Includes a biographical sketch of the informant, as well as texts and musical scores to the items collected.

Collection consists of Ukrainian folk songs and stories recorded by R. Klymasz during 1964-1965 at various locations in the Prairie Provinces and Ontario.

In the summers of 1976-1981 inclusive, Patricia Pelech (Olsen) Carrow taught Ukrainian Folk Weaving at the Banff School of Fine Arts, now the Banff Centre, in their Visual Arts Department as part of its Weaving/Textile Arts program (later called Fibre Arts). She and her mother, Fiona Pelech, did extensive research in developing visual presentations for this course. They prepared over one thousand slides to present to the students as reference material. The sources for the slides are unknown.

Included in the slides are images pertaining to Ukrainian weaving, embroidery, costuming, baking, ceremonial occasions and photographs of the class participants in Banff.

This project contains text of an interview with producer Bohdanna Bashuk of a Ukrainian programme on CJKS , a nightly Ukrainian radio program in Winnipeg.

This fieldwork collection describes a humorous story about a young girl who confesses her sins as told by Vera Bosak.

"Ukrainian Contemporary Music and Youth" incorporates 10 interviews attempts to discover why Ukrainian youth listen to contemporary music and whether or not they prefer Ukrainian contemporary music composed in North America or the music from Ukraine. Includes a questionnaire.

"My Trip from Ukraine to Canada" describes recollections from Natalia's journey from Lviv, Ukraine to Canada. The recollection includes her trip to Moscow by train and her plane ride to Canada.

The project "Deshcho pro nashe selo" describes the village (selo) of Zolota Sloboda and the various customs and celebrations within this village as Nadia Olga Vychopen remembers it.

A collection of texts including spring songs (haivky), kolomyiky, religious songs, love songs, wedding songs, Easter songs, harvest songs, as well as descriptions of wedding customs and rituals collected from Alberta residents.

This collection includes essays on Ukrainian customs in Canada, korovai as a folk art, and the Ukrainian Museum of Canada. Also included is an article review.

The collection consists of an essay that analyzes comic elements of Walter Rutka's album "The Ukrainian Cowboy", and an audio cassette, which is a field recording of Walter Rutka singing the following songs: 1) Mansion on the Hill, 2) Bashful Dancer, 3) Homebrew, 4) Lara's Theme, 5) Pryvit, 6) Kolomyika, 7) Molodyi Viter.

The essay is a comparative study of immigration stories of people who were immigrants of the pioneer era with recent immigration stories.

The essay is a diachronic study of a High School graduation from a rural Canadian Ukrainian community with a description and history of celebrations after the formal ceremonies.

Video interviews for the project. Indexes of the interviews available.

The essay discusses a loom bought by the Trachuks, how they use it, and its significance in relation to their Ukrainian heritage and especially as a Canadian hobby. A video interview with Bill and Jessie Trachuk found on VHS UF1993.019.v1001.

The collection consists of field materials collected by Jason Golinowski during his master studies at the Ukrainian Folklore program, University of Alberta, as well as essays on a wide range of Ukrainian folklore topics, such as Ukrainian crafts, rites of passage, folksongs, celebrations, personal narratives, and others.

This work consists of descriptions of Ukrainian wedding customs and wedding songs recorded from Mrs. Olga Savaryn (mother) and Mrs. Olena Prystajecky (grandmother). All songs are transcribed and translated. This collection was a result of a fieldwork project which was part of the assignment for the UKR 422 course at the University of Alberta in the fall term of 1979. This project includes: sheet music, song lyrics, and indexed interviews.