Showing 122 results

The collection consists of the interview conducted by Larisa Cheladyn with Nadia Korpus in Calgary, and her final essay based on her research and this interview entitled "Through the eyes of Nadia Korpus: A snap shot of Ukrainian dance in Canada from the 1930s to 1970s." The essay examines Ukrainian dance in Canada from 1930s to 1970s as seen through the eyes of one person. It starts in Regina, SK, where Nadia began Ukrainian dancing as a small girl, and then criss-crossed the country as she participated in various summer programs and seminars, taught and created Ukrainian dances and formed her own Ukrainian dance group in Calgary "Rusalka". Ukrainian identity, involvement in the Ukrainian National Federation (UNF), Ukrainian Women's Organization, Summer School "Kursy" in Winnipeg are also discussed.

This file contains early materials collected by Rena Hanchuk for her Folklore classes and a final paper. The project defines the wax ceremony as practiced in Canada. Within the written work, Rena compares and contrasts the definition of a wax ceremony through the taped interviews. The 15-page essay "A study on the Wax Ceremony as folk medicine" was done for the course Ukrainian 699.

The collection consists of records of the Ukrainian Educational Association (Укр. Тов. Просьвіта ім. М. Павлика) in Vermillion, AB; and records of the Ukrainian National Society of Taras Shevchenko of Derwent, Alberta. Records include:

• Incorporation papers of the Ukrainian National Society of Taras Shevchenko of Derwent, AB
• Order Book of the Ukrainian National Society of Taras Shevchenko of Derwent, AB
• Membership list of the Ukrainian National Society of Taras Shevchenko of Derwent, AB
• Financial records of the Ukrainian National Society of Taras Shevchenko of Derwent, AB
• Meeting minutes of the Ukrainian Educational Association (Укр. Тов. Просьвіта ім. М. Павлика) in Vermillion, AB
• Library contents of the Ukrainian Educational Association (Укр. Тов. Просьвіта ім. М. Павлика) in Vermillion, AB
• Financial records of the Ukrainian Educational Association (Укр. Тов. Просьвіта ім. М. Павлика) in Vermillion, AB
• Handwritten Vertep.

A collection of songs in Ukrainian text sung by Vasyl Diachuk who emigrated to Canada in 1952 from Bukovyna. Includes a biographical sketch of the informant, as well as texts and musical scores to the items collected.

This project includes a collection of wedding and funeral songs with musical scores recorded from various interviewees.

Essay 1: "Tini Zabytuh Predkiv" is a book review on character development of Ivan Paliichuk and stylistic developments to describe the author's overall goal. Written for the course UKR 425..

Essay 2: "Ukrainian Mixed Marriages" focuses on marriage as a rite of passage. This diachronic study shows differences and similarities between a Ukrainian wedding which took place in Poland 30 years ago and several mixed marriages which took place in Canada. bib., quest. written for the course UKR 425. Includes: project proposal.

Oral History Project was implemented by the Canadian Institute of Ukrainian Studies in 1982-1984. During that period of time two researchers -- Lubomyr Luciuk and Zenon Zwarycz -- interviewed more than 135 members of the Ukrainian community all over Canada, both immigrants and those already born in Canada. The interviews were digitized in 2014-2016 producing a database of over 400 sound files. The interviews focus on the Ukrainian organizational life both in the Old Country and Canada, as well as political and/or social activities of the interviewees. They also encompass childhood and formative years of each interviewee, their education, family stories, participation in the Ukrainian War of Independence, WWI, routes of emigration to Canada, patterns of settlement within Canada, relations with a broader Canadian society; WWII, DPs, Ukrainian-Canadian institutions, prominent personalities, as well as the religious and political mosaic inside the Ukrainian community in Canada.

The collection consist of personal documents (birth certificates from Audtro-Hungarian Empire, marriage certificate, military ticket from inter-war Poland), immigration documents (passports with visas, ship cards) and other personal documents of Andrew and Polly Sharak. Both Polish passports have their photographs.

The collection consists of descriptions of Ukrainian wedding customs and wedding songs recorded from Mrs. Olga Savaryn (mother) and Mrs. Olena Prystajecky (grandmother). All songs are transcribed and translated. This collection was a result of a fieldwork project which was part of the assignment for the UKR 422 course at the University of Alberta in the fall term of 1979.

The collection consists of personal documents of Orest and Emilia Zarsky, community event programs and other ephemera, publications on various Ukrainian and religious topics, badges and banners, an embroidered tray, and wedding clothes and items.

This collection contains a book review and an essay on Ukrainian mixed marriages written by Walter Garbera for his Ukrainian courses.

The collection consists of essays and supporting material collected by Frank Fingarsen while taking Ukrainian Folklore courses at the University of Alberta.

This project describes the differences between old immigrant folklore, complex and the new, and ethnic complex in the development of Ukrainian Canadian folklore.

The collection consists of essays and questionnaires created by Natalia Booyar as part of her assignments for the Ukrainian Folklore courses at the University of Manitoba.

"The Electric Tsymbaly: An instrument from the past plugs into the future" describes attempts by Michael and Joe Tkachyk to electrify the traditional tsymbaly.

"Ukrainian folk art and performance; Three genres of Ukrainian ceramics in Edmonton" discusses three genres of ceramic work currently being produced in Alberta: traditional - revivalist, contemporary, and decalomania. bib. Includes a Project Proposal "Proposal for Project Dealing with Ukrainian Ceramics in Edmonton: Decalomania versus other Decorative Techniques".

In the summers of 1976-1981 inclusive, Patricia Pelech (Olsen) Carrow taught Ukrainian Folk Weaving at the Banff School of Fine Arts, now the Banff Centre, in their Visual Arts Department as part of its Weaving/Textile Arts program (later called Fibre Arts). She and her mother, Fiona Pelech, did extensive research in developing visual presentations for this course. They prepared over one thousand slides to present to the students as reference material. The sources for the slides are unknown.

Included in the slides are images pertaining to Ukrainian weaving, embroidery, costuming, baking, ceremonial occasions and photographs of the class participants in Banff.

The collection consists of materials related to Chester and Luba Kuc's professional and social life. It includes materials representing dance groups founded or taught by Chester; photographs of Ukrainian costumes and dances; concert programs, music scores of Ukrainian songs, a collection of Ukrainian postcards, and some self-published educational materials of the Ukrainian youth organizations.