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Contains audiotapes and scripts from the radio show Radio Canada International recorded from 1992-1997 hosted by Halyna Klid. The reel-to-reel audiotapes are dated from 1993 to1996 and contain many interviews with various individuals such as Hryniuk, Mykola, Konolyk, Kopotun, Andriievska, Kuchma etc. Some of the audio tape topics also include Leonid Kuchma's visit to Canada, The Joke Project, V-E Day, Hockey, Chornobyl, Perogies, and many more.

The scripts from the radio show from date from 1992 to 1997. They contain the scripts from the interviews with Polkovsky, Starchenko, McCaffrey, Major Dmytro Shkurko etc. as well as scripts from topics such as the First Ukrainian combat jets in Canada, the Men Who Broke the Circle of Women's Traditional Activities, the Alberta Legislature Passes a Motion on Chornobyl, The Feast of Jordan, Ukrainian-Canadian Visual poetry in Canada, a Bukovynian Wedding Show, and many others.

The collection consists of field materials collected by Jason Golinowski during his master studies at the Ukrainian Folklore program, University of Alberta, as well as essays on a wide range of Ukrainian folklore topics, such as Ukrainian crafts, rites of passage, folksongs, celebrations, personal narratives, and others.

The collection consists of field materials collected by Sogu Hong during his courses at the Ukrainian Folklore program, University of Alberta, as well as essays on a wide range of Ukrainian folklore topics: Ukrainian folk songs, ethnic jokes; immigrant tombstones; calendar customs and family rites, such as Christmas, childbirth, weddings; folk arts and crafts; foodways, and others.

Gordon Gordey autobiographical reflection of a 40-year creative journey with The Ukrainian Shumka Dancers of Canada recounts his experiences creating his original artistic works with The Ukrainian Shumka Dancers of Canada. By documenting his dance concepts and librettos Gordey reveals his challenge to contribute original works to the canon of Ukrainian dance that is spiritually connected to generations of continuous cultural practice and resonates with 20th and 21st century audiences in Canada, Ukraine, Russia, and China. He speaks to evolving dance stories that embed themselves in viewer’s minds and become shared cultural touchstones in the evolution of our Canadian identity at home and abroad. Dance concepts and librettos for: Shumka’s Cinderella, Pathways to Hopak, Girl in the Red Dress TANGO, Vechornytsi (the multi-works in Life is a Cabaret), Eve of Kupalo - a Midsummer’s Night Mystery Masque and Voices of the Silenced are enhanced with photographs and video excerpts of the dances in performance.

This work was published in Ukrainian as a peer reviewed chapter in Collected Papers on Ukrainian Life in Western Canada, edited by V. Polkovsky and M. Soroka, Ostroh Academy National University Press, 2014, Vol. XLVII, Part Seven, pp. 242-275. All rights reserved. The English text was revised in 2016 for the deposit into the Archives. We have digital and physical access copies.

This project was the core fieldwork collection phase of Jason Golinowski's master thesis.

A dozen or more dance competitions are organized in western Canada which include or focus exclusively on Ukrainian dance, with an estimated total of some 8000 entries per year in recent years. The number of competitions and competitors has risen significantly in the past five years. This increase in popularity raises numerous questions regarding the functioning of "ethnic" cultural activities in this country. Various theories explaining "ethnic persistence" and "ethnic revival" have been proposed. The present project is designed to develop an empirical base of data to test aspects of these conceptual models.

The project consists of asking competition organizers for competition programs and marks through their histories, information which is quite readily available to these committees. A detailed database of the competitors, their home group, instructors, their marks and placements, adjudicators, repertoire and other information will allow an analysis of behavior trends that will shed light into the functions of the competitions and the motivations of the various categories of participants.

This project is relatively self-contained and has been proposed as a Master's thesis by Jason Golinowski in the Ukrainian Folklore Program in the Department of Modern Languages and Comparative Studies. It is also connected to a larger study conducted by Dr. Andriy Nahachewsky, dealing with "new ethnicity" and Canadian Ukrainian dance.
(from Project proposal)

The collection consists of two series: one contains materials developed by Dr. Bohdan Klid for the Ukrainian History and Culture course in 1999; and the second comprises material on contemporary popular music and politics in Ukraine, 2004-2012.

The collection consists of assignments for various folklore classes at the University of Alberta including Ukrainian Material Culture (UKR-527), Ukrainian Folk Art and Performance (UKR-528), Rites of Passage (UKR-525), Ukrainian Calendar Customs (UKR-526), Ukrainian Folk Songs (UKR-522), Ukrainian Folk Prose (UKR-523), and Ukrainian Folklore in Canada (UKR-532).

The collection includes the following projects:

• Poias for the Babies
• Bunica's Funeral Dinner: The China
• A Kuzhil' [Distaff] Among Flowers
• "Yuriy Fedkowych Ukrainian Educational Society of Soda Lake" Proscenium Screen
• Ukrainian Rites of Passage: Silence and Pregnancy
• Iordan, Feast of the Epiphany
• Katie and Christine: Their Kolomyiky
• Wolves and Viagra: Katie and Metro
• Literary Folkloristics and the Personal Narrative by Sandra Dolby Stahl: A Review of the Study
• On Forgetting

Recollections of Ropchan (Rapchan) brothers, as well as indexes and transcripts of interviews conducted by Monica for her dissertation are also part of this collection.

The collection consists of interviews conducted by Nadya Foty in Alberta and Saskatchewan with 21 individuals from the Ukrainian community. The goal of the interviews was to collect and preserve information about Ukrainian culture with a focus on rites of passage.
The respondents included: George Hill, Jack Kindrake, Eugene and Katherine Yereniuk, Fedir Moroz, William Piasecky, Anna Zuzak, Jenny Palamaruk, Josie Talpash, Mary Stokalko, Anna Papish, Mary Sochaski, Mary Sturby, Bella Dobni, George Wizniuk, N. Wizniuk, William Kissel, Rosie Kissel, .