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The collection consists of the interview conducted by Larisa Cheladyn with Nadia Korpus in Calgary, and her final essay based on her research and this interview entitled "Through the eyes of Nadia Korpus: A snap shot of Ukrainian dance in Canada from the 1930s to 1970s." The essay examines Ukrainian dance in Canada from 1930s to 1970s as seen through the eyes of one person. It starts in Regina, SK, where Nadia began Ukrainian dancing as a small girl, and then criss-crossed the country as she participated in various summer programs and seminars, taught and created Ukrainian dances and formed her own Ukrainian dance group in Calgary "Rusalka". Ukrainian identity, involvement in the Ukrainian National Federation (UNF), Ukrainian Women's Organization, Summer School "Kursy" in Winnipeg are also discussed.

The collection consists of records from the Ukrainian Music Association of Alberta. It contains various correspondence such as letters written by the UMAA from the years 1972 to 1984, letters written to the UMAA by various organizations and people such as the Alberta Culture Youth & Recreation, the Shevchenko Scientific Society, Yurii Kowalsky, Neonilla Dmytruk and others. Also contains newspaper clippings pertaining to the UMAA such as clipping about musical events: the Women's Singing Ensemble "Merezhi", the Dnipro Choir in Edmonton, news clippings about the Ukrainian-Canadian composer Yurii Fiyala, and more. Also contains financial records from the UMAA, and announcements to musical shows.

This collection includes analyses on the wax ceremony performed by Ukrainian Canadians as folk medicine as research for her Master's thesis at the University of Alberta.

The collection consists of personal documents, photos. Personal documents include passports, certificates of birth and baptism, immigration cards, vaccination certificate, certificate of marriage, and naturalization certificates. Photos consist of family photos prior to 1932, and Melnychuk and Klymchuk Family Photos.

The collection consists of two series: one contains materials developed by Dr. Bohdan Klid for the Ukrainian History and Culture course in 1999; and the second comprises material on contemporary popular music and politics in Ukraine, 2004-2012.

The collection consists of records of the Ukrainian Educational Association (Укр. Тов. Просьвіта ім. М. Павлика) in Vermillion, AB; and records of the Ukrainian National Society of Taras Shevchenko of Derwent, Alberta. Records include:

• Incorporation papers of the Ukrainian National Society of Taras Shevchenko of Derwent, AB
• Order Book of the Ukrainian National Society of Taras Shevchenko of Derwent, AB
• Membership list of the Ukrainian National Society of Taras Shevchenko of Derwent, AB
• Financial records of the Ukrainian National Society of Taras Shevchenko of Derwent, AB
• Meeting minutes of the Ukrainian Educational Association (Укр. Тов. Просьвіта ім. М. Павлика) in Vermillion, AB
• Library contents of the Ukrainian Educational Association (Укр. Тов. Просьвіта ім. М. Павлика) in Vermillion, AB
• Financial records of the Ukrainian Educational Association (Укр. Тов. Просьвіта ім. М. Павлика) in Vermillion, AB
• Handwritten Vertep.

The collection consists of pillow covers and a wall hanging embroidered by Anna Drepko, Maria's mother, and memorial cards collected by her at various funerals in Winnipeg and area.

The collection predominantly consists of records between the mid-1940s and late 1990s and includes various records related to Ivan (John) Lahola and his family. It includes biographical materials, correspondence, and documents covering Lahola's life during World War II, detailing his experiences in Auschwitz and other prisons and concentration camps. The collection encompasses textual records related to Lahola's community life in Canada, published materials, and miscellaneous information. Notable correspondence involves letters from different organizations thanking Lahola for donations, including contributions to the construction of the Greek Catholic Cathedral and the Ukrainian Embassy Foundation. Additionally, the collection contains greeting cards, and printed materials such as program invitations and catalogs, offering insights into Lahola's engagement with community events, cultural activities, and charitable causes.