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The collection comprises newspaper clippings, copies of letters, and pre-electoral materials of Kupiak ran for Conservatives in 1972 federal election, the accusation of Kupiak in committing atrocities and his response to the accusation. It also includes the "Retribution" brochure (Розплата. Документи і матеріали судового процесу над групою бандитів ОУН, упор. Верета Л., Чудовський В.; Львів: Каменяр, 1970).

The collection consists of published and unpublished chapters of George Kowalsky's memoirs about the Auschwitz and Dachau concentration camps in 1943 and 1944. The memoirs were partly published in 1946 in the "Christian Road. Ukrainian religious-social weekly," a Ukrainian language periodical disseminated among Ukrainian DP in Germany. Besides that, the collection is comprised of an English translation of one part of the memoirs, one religious poster, one photograph (portrait), a typed concert program where father Kowalsky was a choir conductor, and a typed statistics of deaths in Dachau by April 29, 1945.

The collection consists of correspondence, leaflets, and reports related to the fundraising for and subscription to the Encyclopedia of Ukraine (Енциклопедія Українознавства), which the creator collected as a representative of the "Encyclopedia of Ukraine" dissemination in Alberta and a treasurer of the Patronage NTSh-EY-2 in Edmonton. The other part of the collection is comprised of the documents related to the Alberta fundraising for the Leonid Pliouchtch family in France. The collection also includes a rare collective photo from 1936 or 1937.

The series consists of business (sometimes also private) correspondence with Atanas Figol, Ivan Kerestil, Volodymyr Kubijovych, Eugene Borys, Myr. Hladyshevsky, Wasyl Markus, and many others addressing issues of subscription to the Encyclopedia of Ukraine in Western Canada; the series also contains materials of Kubijovych and Figol visits to Edmonton, financial reports, leaflets, minutes, lists of subscribers and donators, as well as newspaper clippings about the fundraising for the Encyclopedia. Biographies (and scanned portraits) of the following donors-founders of the Encyclopedia are included:

Альбертське товариство для збереження української культури
Базюк, Дмитро і Стефанія (Рудакевич)
Борух, Іван
Голод, Роман
Гураль, Осип і Неоніля (Стефанів)
Завалень, Антін
Іванець, Василь
Іванусів, Микола і Марія (Ших)
Іванусів, Ярослав
Кавулич, Михайло і Леся (Кубрак)
Климкович, Остап
Козяк, Іван та Марія (Войтків)
Костів, Ярослав і Даниїла (Прокоп)
Кучер, Михайло Стефан і Богданна (Боссак-Волинець)
Ліга українських католицьких жінок Канади / Ukrainian Catholic Women's League of Canada
Маркевич, Володимир і Анна (Ядловська)
Маркевич, Любомир і Дарія (Луців)
Монастирський, Степан і Монастирська, Ольга (Оленюк)
Олійник, Роман і Магдалина ( Костур)
Олійник, Богдан Володимир і Орися Роксоляна ( Іванусів)
Панас, Ігнатій і Єлисавета (Іваніцька)
Семотюк, Василь
Славутич, Яр (+ original photo)
Смолинський, Василь і Смолинська Ізаберлла (Бендзінська)
Смолинський, Іван Хризостом
Станиця 1-шої Української дивізії УНА
Тарнавський, Володимир і Тарнаська, Степанія (Смик)
Ткачук, Мирослав
Українська Кредитова Спілка в Едмонтоні / Ukrainian (Edmonton) Credit Union Limited
Українське національне об'єднання в Едмонтоні
Чехут-Климкович, Софія
Чехут, Богдан
Чехут, Павло

The series consists of materials of fundraising in Alberta for the Leonid Pliouchtch family who fled the USSR and emigrated to France.

The collection contains materials of an artist Parasia Iwanec such as photographs and reproductions of her paintings, reviews, newspaper articles about the artist, exhibit programs, biography, personal documents, as well as embroidered shirts and tablecloths, ceramics. A small part of the collection consists of Wasyl Iwanec papers such as official documents, memoirs, and autobiography.

This series consists of materials related to the album "Ukrainian Churches of Canada: Oil Paintings and Commentary by the Author" by Parasia Iwanec, published in Preshow in 1991. The series contains two sets of photographs of Iwanec's oil paintings - with and without historical accounts about the churches. There are also drafts of the following papers: "Ukrainian Churches of Alberta in the Paintings of Parasia Iwanec" by Olha Kolankivska, "Ukrainian Churches of Alberta in the Oil Paintings of Parasia Iwanec" by Ivan Keywan, and several writings by Parasia Iwanec, such as "Brief History of Ukrainian Churches of Alberta," "Ukrainian Churches in Alberta," and an introductory chapter "God, Church, and the Ukrainian nation." There are also six maps and drafts of indexes in the series. Some of the maps Parasia Iwanec and her husband used when they travelled around Alberta looking for churches. These maps contain the creator's marks and signs. Others are contour maps where Parasia Iwanec mapped Ukrainian churches of the region. Some series' materials were intended as integral parts of the album but were not included into the published volume.

The series is comprised of the following books :

• Календарець 1955. Маківка. Зредагував о. С. Хабурський.
• Календарець на 1959 рік. Ню Йорк.
• Нелин, Іван. Сини Мої: Оповідання з волинського життя. Торонто, 1951.
• Добрянський М. 1. Допитання кризи в Державному Цнетрі УНР. 2. Інститут і асоціяція. 1955.
• Франко, Зіновія. Увінчаний шаною. Київ: Товариство "Україна", 1981.
• Орлигора, Лев Т. Люблю: лірика. Канада, 1958.
• Островська, М. Nihil Novi: міркування на мистецькі теми. Штутгарт: Накладом "КЕП", 1946.
• В 50-річчя УСС. 12 кольорових карток арт. маляра Едварда Козака. Ню Йорк: В-во "Червона калина", 1965.
• Український декоративний розпис. Київ: Мистецтво, 1989.
• Ikony ze zbiorow muzeum historycznego w Sanoku.
• Bukowinian Settlements in Southern Manitoba (Gardenton Area) by John Panchuk. Battle Creek, Michigan, 1971. Self published.
• Мистецтво України. Біографічний довідник, за ред. А.В. Кудрицького. Київ: Українська енциклопедія ім. М. Бажана, 1997. (added to the UF Library collection)

The series consists of photographs of Parasia Iwanec paintings - landscapes, portraits, still life, and icons. Most of the pictures Parasia Iwanec supplemented by a description including size, year of creation, used materials (ground and medium). In some cases, the creator also indicated to whom the painting was sold or given.

2020.029.a001 - A small model of Ukrainian house; сlay, made by Parasia Iwanec
2020.029.a002 - Icon painted by Parasia Iwanec, wood
2020.029.a003 - Icon painted by Parasia Iwanec, wood
2020.029.a004 - Icon painted by Parasia Iwanec, wood
2020.029.a005 - Ukrainian embroidered shirt for women; linen, wool
2020.029.a006 - Ukrainian embroidered shirt for woman
2020.029.a007 - Obhortka, wool
2020.029.a008 - Lower part of a shirt, lacy
2020.029.a009 - Tablecloth embroidered by Parasia Iwanec, 1949
2020.029.a010 - Embroidered serviette
2020.029.a011 - Piece of homespun cloth
2020.029.a012 - Small suitcase (was deposited with personal documents of Wasyl and Parasia Iwanec in it)

The series comprises family photographs (and negatives) from different periods of their life.

The series comprises personal documents of the creators such as birth certificates, passports, education diplomas, immigration and citizenship records, etc.

The series contains a handwritten biography, two notebooks of memoirs, typed "The Sawka family" story told by Wasyl Iwanec and translated by Michael Sawka, as well as a newspaper clippings of his bio and obituary.

Parasia Iwanec correspondence with people and institutions. Letters form UCAMA, Ivan Keywan, Andriy Zakharchenko and Vira Medytska are arranged in separate files.

The series consists of newspaper clippings about Parasia Iwanec's paintings, exhibitions, and life. Publications, where Parasia Iwanec paintings are used as illustrations, and separate reproductions of her artworks are arranged in a separate folder.

The series contains founding documents and information about the Dr. Wasyl and Parasia Iwanec (Krysa) Endowment Fund.

The series contains a collection of articles about Bucmaniuk and catalogues of his artworks assembled by M. Chomiak in 1972;
programs of the Bucmaniuk and his students' exhibitions in the 1960s (one of the programs is signed by Bucmaniuk for Parasia Iwanec), a newspaper article about Bucmaniuk, and one reproduction of his painting.