The essay is a study of the folksong repertoire of one woman, which is classified into different genres by their content. Interview index available.

The collection consists of assignments for various folklore classes at the University of Alberta including Ukrainian Material Culture (UKR-527), Ukrainian Folk Art and Performance (UKR-528), Rites of Passage (UKR-525), Ukrainian Calendar Customs (UKR-526), Ukrainian Folk Songs (UKR-522), Ukrainian Folk Prose (UKR-523), and Ukrainian Folklore in Canada (UKR-532).

The collection includes the following projects:

• Poias for the Babies
• Bunica's Funeral Dinner: The China
• A Kuzhil' [Distaff] Among Flowers
• "Yuriy Fedkowych Ukrainian Educational Society of Soda Lake" Proscenium Screen
• Ukrainian Rites of Passage: Silence and Pregnancy
• Iordan, Feast of the Epiphany
• Katie and Christine: Their Kolomyiky
• Wolves and Viagra: Katie and Metro
• Literary Folkloristics and the Personal Narrative by Sandra Dolby Stahl: A Review of the Study
• On Forgetting

Recollections of Ropchan (Rapchan) brothers, as well as indexes and transcripts of interviews conducted by Monica for her dissertation are also part of this collection.

The collection consists of fieldwork materials collected by Natalie Kononeko during her trips to numerous villages in Central Ukraine in 2001-2005. Interviews cover a wide range of folklore topics including ritual and belief, births, weddings, funerals, songs and stories, and more.

The collection consists of liturgical music, including Entrance and Recessional, Hymns in Honour of the Mother of God, Holy Spirit, Holy Eucharist, Various Saints, Tropars, Easter; and music scores and lyrics of Ukrainian folk songs (calendar cycle). It has been organized in three series: Folk music, Religious music, and Plast Song Books (self-published).