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Archival description
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CA BMUFA 0117 · Collection · May - August, 2000

The collection consists of interviews conducted by Nadya Foty in Alberta and Saskatchewan with 21 individuals from the Ukrainian community. The goal of the interviews was to collect and preserve information about Ukrainian culture with a focus on rites of passage.
The respondents included: George Hill, Jack Kindrake, Eugene and Katherine Yereniuk, Fedir Moroz, William Piasecky, Anna Zuzak, Jenny Palamaruk, Josie Talpash, Mary Stokalko, Anna Papish, Mary Sochaski, Mary Sturby, Bella Dobni, George Wizniuk, N. Wizniuk, William Kissel, Rosie Kissel, .

Foty, Nadya
CA BMUFA 0012 · Collection

The collection consists of liturgical music, including Entrance and Recessional, Hymns in Honour of the Mother of God, Holy Spirit, Holy Eucharist, Various Saints, Tropars, Easter; and music scores and lyrics of Ukrainian folk songs (calendar cycle). It has been organized in three series: Folk music, Religious music, and Plast Song Books (self-published).

CA BMUFA 0049 · Collection · 1995-2000

The collection consists of field materials collected by Sogu Hong during his courses at the Ukrainian Folklore program, University of Alberta, as well as essays on a wide range of Ukrainian folklore topics: Ukrainian folk songs, ethnic jokes; immigrant tombstones; calendar customs and family rites, such as Christmas, childbirth, weddings; folk arts and crafts; foodways, and others.

Hong, Sogu
CA BMUFA 0020 · Collection · late 1800s - late 1900s

The Sluzar Music Score is a collection of over 1,600 handwritten, copied and printed sheet music items and musical scores, and it contains more than 2,500 individual songs. It contains a unique variety of musical genres – from folk songs to opera and operetta scores, and from classical to liturgical and spiritual songs. Most of the pieces are arranged for choral performance; however, many solos, duets, quartets, and even instrumental arrangements are included as well.

The collection spans nearly a century in its compositions and publications, from the late 1800s to the end of the 20th century. Its songs reflect the incredibly rich historical legacy of the Ukrainian people and chronicle events from Cossack and chumak times all the way to the World Wars of the 1900s. The collection also strongly reflects the customs and traditions of the Ukrainian people through its assortment of folk songs – from hahilky and Kupalo songs to koliadky and shchedrivky.

Sluzar, Wolodymyr
CA BMUFA 0057 · Collection · 1977

The collection consists of field materials collected by Slawa Basarab as part of her assignments for the folklore courses she took at the University of Alberta, and include collected proverbs and beliefs about folk medicine, and folk sayings relating to health.

Basarab, Slawa
CA BMUFA 0067 · Collection · 1978-1979

The collection consists of Ukrainian proverbs, jokes and comic tales collected in Alberta for Ukrainian Folklore courses taken by Roman at the University of Alberta.

Petriw, Roman
CA BMUFA 0065 · Collection · 1978-1981

The collection consists of field materials collected by Roman Brytan while taking Ukrainian Folklore courses at the University of Alberta. It covers the following topics: Ukrainian folk songs both from Ukraine and Canada, ritual songs, and superstitious recollections.

Brytan, Roman
CA BMUFA 0009 · Collection · 1964-1965

Collection consists of Ukrainian folk songs and stories recorded by R. Klymasz during 1964-1965 at various locations in the Prairie Provinces and Ontario.

Klymasz, Robert Bohdan
CA BMUFA 0106 · Collection · 1979

The collection consists of songs and verses collected in Edmonton from the informants Joe Olinyk, Anna Olinyk, Mrs. Helena Pinkyj, Mrs. Eva Kurylo, Mrs. Maria Stratychuk, Mrs. Annie Kapach, and Mrs. Mary Lagoski, some of whom grew up in Galicia or Bukovina and immigrated to Canada.

Kalmantovich, Phyllis
CA BMUFA 0035 · Collection · 1976-1981

In the summers of 1976-1981 inclusive, Patricia Pelech (Olsen) Carrow taught Ukrainian Folk Weaving at the Banff School of Fine Arts, now the Banff Centre, in their Visual Arts Department as part of its Weaving/Textile Arts program (later called Fibre Arts). She and her mother, Fiona Pelech, did extensive research in developing visual presentations for this course. They prepared over one thousand slides to present to the students as reference material. The sources for the slides are unknown.

Included in the slides are images pertaining to Ukrainian weaving, embroidery, costuming, baking, ceremonial occasions and photographs of the class participants in Banff.

Pelech Carrow, Patricia
CA BMUFA 0061 · Collection · March 13, 2010

Paska Workshop Documentation Project was a project by Natalie Kononenko that aimed to document a workshop conducted by Nadia Cyncar, a community leader, at the Ukrainian Catholic Parish of St. George. Attendees learned about Easter traditions, as well as how to bake paska (Easter bread), how to decorate it, symbolism of decorations, etc.

The cooking was done by Joyce Sirski-Howell. The collection consists of a video recording (raw footage), audio recording and photographs of the workshop. The team who documented the event consisted of: Natalie Kononenko, Maryna Hrymych, Svitlana Kukharenko, Maryna Chernyavska and Peter Holloway.

Kononenko, Natalie
Opryshko family collection
CA BMUFA 0047 · Collection · 1945-1975

Collection consists of correspondence between Opryshko family in Canada and in Poland and Ukraine.

Opryshko family
CA BMUFA 0027 · Collection

This is a collection of folklore materials and family archives from Roman Onufrijchuk, a key leader in the 1970s and 1980s "Cultural Immersion Camps" organized by CYMK, which involved many future leaders of the Ukrainian community across Canada. This unique and large collection highlights one family's experience in Ukraine, in the Displaced Camps in Europe, and in Canada. The Onufrijchuk fonds includes family photographs, correspondence, souvenirs, publications and a large collection of embroideries.

Onufrijchuk, Roman
CA BMUFA 0083 · Collection · 1977

The collection consists of an essay which analyzes folkloric and symbolic elements in seven ballads by Taras Shevchenko.

Jurkiw, Olha