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On September 23, 2012, Myrna Kostash co-hosted an event in Edmonton called Zemlya/Nanaskomun (The land/We give thanks): A Ceremonial Exchange of Gifts, which meant to remind there there had once been a relationship between Ukrainians and Indigenous peoples.

The collections consists of photographs of the event, and an article about the event by Myrna Kostash in the albertaviews. As Myrna wrote on her website: "The Ceremony evolved from my desire as a descendent of Ukrainian settlers on Treaty Six land to acknowledge the relationship between my people and the First Nations people through the shared gift of the land. The emphasis was on ceremony and acknowledgement of relationship. The idea of the Exchange of Gifts was mine but I shared the event with my co-host Métis advocate, Sharon Pasula." (https://www.myrnakostash.com/zemlya-nanaskomun-gallery/ accessed January 9, 2021)

Andriy Nahachewsky (then Director of the Kule Folklore Centre) and Lynnien Pawluk (Kule Folklore Centre Administrator) participated in the event. Andriy shared a story of his grandfather. Lynnien shared gifts with a representative of the Indigenous community. See the article for detailed description of the event.

The collection consists of field materials collected by Andreiv Choma, a master student in the Ukrainian Folklore program at the University of Alberta, during 2013-2015. The material was collected among Ukrainian communities in Brazil. It includes audio interviews with the members of Ukrainian Brazilian community, photographs (both historical and modern), copies of the wedding registry of Ukrainians in Mallet in 1907-1915, baptismal registry, handwritten papers of the Ukrainian Catholic Centre in Mallet, of the society "Ukrains'ka hromada", and other records. It also includes Andreiv's manuscript of the part of his master thesis (mostly in English, parts in Portuguese).

The collection consists of memoirs of Andrew Mazurenko, and his family photographs. Andrew wrote these in 1973 when he was 83. The memoirs tell about his roots, his life back in the Old country, his journey to Canada, and early years in Canada.

The photographs include images of him and his wife Maria, their house, homestead, and the old thatched roof house in the Old Country where Maria was born.

The collection consists of folk songs recorded during December 1979 for the UKR-422 Ukrainian Folklore course at the University of Alberta. It includes texts of 21 songs collected by Boris Radio from Mrs. T. Gural, Mrs. N. Radio, and Mrs. Hulewich, their biographical information. In addition to transcripts of the songs, Boris translated them. The audio cassette contains recording of the songs and histories of interviewees.

The collection consists of an essay written by Nadia Olga Vychopen for her UKR-421 Ukrainian Folklore course at the University of Alberta and describes the village of Zolota Sloboda and the various customs and celebrations within this village as she remembers it.

The collection consists of 78 Ukrainian folk tales translated by Olga Vesey, two of her stories: "A Ukrainian Socrates" and "Beautiful Tyotia", eulogy by Nina Westaway, Olga's biography from her personal writing to granddaughter Margaret Olga Westaway in 1990, and family photographs. One collection of Olga's translations of Ukrainian folk tales was published in 1975 as The Flying Ship, which was an award winning children's book. Before she died in 1995, she asked her daughter Nina to publish her stories. Some of them have appeared in other English publications, but have never been published as a collection.

The collection is organized in three series: first contains Olga Vesey's biographical and autobiographical materials, second - translations of Ukrainian folk tales, and third - short stories by Olga Vesey.

The Kule Folklore Centre created an online project featuring this collection and its materials, some of them full text: http://www.ukrfolk.ualberta.ca/ProjectsandResearch/OnlineResources/OlgaVeseyFolkTales.aspx

This collection contains a book review and an essay on Ukrainian mixed marriages written by Walter Garbera for his Ukrainian courses.

The collection consists of an essay that analyzes comic elements of Walter Rutka's album "The Ukrainian Cowboy", and an audio cassette, which is a field recording of Walter Rutka singing the following songs: 1) Mansion on the Hill, 2) Bashful Dancer, 3) Homebrew, 4) Lara's Theme, 5) Pryvit, 6) Kolomyika, 7) Molodyi Viter.

The collection consists of fieldwork materials collected by Nadia Dmitriuk for her Ukrainian Folklore courses at the University of Alberta and include proverbs and sayings, as well as wedding songs and other traditional songs.

Collection of texts of songs and verses collected by Christine Nebozuk for her UKR-421 Ukrainian Folklore class at the University of Alberta from informants from Western Ukraine. Contains text to songs given by informants.

The collection consists of verses collected in Canada from various pioneers from western Ukraine, and a collection of jokes, proverbs, New Year's verses and texts of other folk songs.

The collection consists of Ukrainian proverbs, jokes and comic tales collected in Alberta for Ukrainian Folklore courses taken by Roman at the University of Alberta.

A collection of songs and customs collected from Alberta residents: Mariia Mykytiv, Hafiia Ianyshevs'ka, Iustyna Visniuk, Maria Husak, Marusia Kuz'o-Hura, Ol'ha Hladun, includes carols (koliadky i shchedrivky), spring songs (haivky), kolomyiky, religious songs, love songs, wedding songs, Easter songs, harvest songs, as well as descriptions of wedding customs and rituals.

The audio cassettes contain carols, shchedrivky, religious songs; wedding songs; folk songs; ballads; kolomyiky; obzhynkovi songs; Easter songs recorded by Myra Petriw from Ol'ha Hladun, Maria Kuzio-Hura, Iustyna Visniuk and Maria Husak.

The collection consists of field materials collected by Roman Brytan while taking Ukrainian Folklore courses at the University of Alberta. It covers the following topics: Ukrainian folk songs both from Ukraine and Canada, ritual songs, and superstitious recollections.

The collection consists of the interview conducted by Larisa Cheladyn with Nadia Korpus in Calgary, and her final essay based on her research and this interview entitled "Through the eyes of Nadia Korpus: A snap shot of Ukrainian dance in Canada from the 1930s to 1970s." The essay examines Ukrainian dance in Canada from 1930s to 1970s as seen through the eyes of one person. It starts in Regina, SK, where Nadia began Ukrainian dancing as a small girl, and then criss-crossed the country as she participated in various summer programs and seminars, taught and created Ukrainian dances and formed her own Ukrainian dance group in Calgary "Rusalka". Ukrainian identity, involvement in the Ukrainian National Federation (UNF), Ukrainian Women's Organization, Summer School "Kursy" in Winnipeg are also discussed.

The collection consists of video and audio recordings of an interview with Peter and Doris Kule conducted by Natalie Kononenko in 2007. This material was used for the Kules' biography that was included into the Champions of Philanthropy book edited by Natalie Kononenko and Serge Cipko.

The collection consists of fieldwork materials and essays collected by Demjan Hohol for folklore courses.

The collection consists of fieldwork materials collected by Natalie Kononeko during her trips to numerous villages in Central Ukraine in 2001-2005. Interviews cover a wide range of folklore topics including ritual and belief, births, weddings, funerals, songs and stories, and more.

The collection includes Yarema Kowalchuk's final essay for the course UKR-699.