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CA BMUFA 0078 · Collection · 2013-2015

The collection consists of field materials collected by Andreiv Choma, a master student in the Ukrainian Folklore program at the University of Alberta, during 2013-2015. The material was collected among Ukrainian communities in Brazil. It includes audio interviews with the members of Ukrainian Brazilian community, photographs (both historical and modern), copies of the wedding registry of Ukrainians in Mallet in 1907-1915, baptismal registry, handwritten papers of the Ukrainian Catholic Centre in Mallet, of the society "Ukrains'ka hromada", and other records. It also includes Andreiv's manuscript of the part of his master thesis (mostly in English, parts in Portuguese).

Choma, Andreiv
CA BMUFA 0028 · Collection · 1996-2002

This project was the core fieldwork collection phase of Jason Golinowski's master thesis.

A dozen or more dance competitions are organized in western Canada which include or focus exclusively on Ukrainian dance, with an estimated total of some 8000 entries per year in recent years. The number of competitions and competitors has risen significantly in the past five years. This increase in popularity raises numerous questions regarding the functioning of "ethnic" cultural activities in this country. Various theories explaining "ethnic persistence" and "ethnic revival" have been proposed. The present project is designed to develop an empirical base of data to test aspects of these conceptual models.

The project consists of asking competition organizers for competition programs and marks through their histories, information which is quite readily available to these committees. A detailed database of the competitors, their home group, instructors, their marks and placements, adjudicators, repertoire and other information will allow an analysis of behavior trends that will shed light into the functions of the competitions and the motivations of the various categories of participants.

This project is relatively self-contained and has been proposed as a Master's thesis by Jason Golinowski in the Ukrainian Folklore Program in the Department of Modern Languages and Comparative Studies. It is also connected to a larger study conducted by Dr. Andriy Nahachewsky, dealing with "new ethnicity" and Canadian Ukrainian dance.
(from Project proposal)

CA BMUFA 0258 · Collection · 1925-2013

The collection consists of materials pertaining to Chester and Luba Kuc's professional activities: Ukrainian folk dance, costumes, and embroidery.

Kuc, Chester and Luba
CA BMUFA 0266 · Collection · 1911-1998, predominant 1950s-1980s

The collection consists of materials related to Chester and Luba Kuc's professional and social life. It includes materials representing dance groups founded or taught by Chester; photographs of Ukrainian costumes and dances; concert programs, music scores of Ukrainian songs, a collection of Ukrainian postcards, and some self-published educational materials of the Ukrainian youth organizations.

Kuc, Chester and Luba
CA BMUFA 0058 · Collection · August 20, 2003

The collection consists of an interview conducted with Chester Myroslav Kuc by Andriy Nahachewsky and Larisa Sembaliuk Cheladyn on August 20, 2003. The interview focused primarily on Chester Kuc's life story, his youth and his parents' encouragement for him to be active. It also deals with his teaching dance and the founding of Shumka and Cheremosh, and dance in general. Some information about his house and his various other arts and crafts interests: embroidery, pysanky, etc. is included as well.

Nahachewsky, Andriy
Nadia Korpus collection
CA BMUFA 0038 · Collection · 1945-1967

The collection is comprised of Rusalka Dance Ensemble archives, Nadia’s original choreography created for Rusalka, as well as related notes, correspondence, and reference materials for her creations.

Korpus, Nadia
CA BMUFA 0064 · Collection · 2014

The collection consists of the interview conducted by Larisa Cheladyn with Nadia Korpus in Calgary, and her final essay based on her research and this interview entitled "Through the eyes of Nadia Korpus: A snap shot of Ukrainian dance in Canada from the 1930s to 1970s." The essay examines Ukrainian dance in Canada from 1930s to 1970s as seen through the eyes of one person. It starts in Regina, SK, where Nadia began Ukrainian dancing as a small girl, and then criss-crossed the country as she participated in various summer programs and seminars, taught and created Ukrainian dances and formed her own Ukrainian dance group in Calgary "Rusalka". Ukrainian identity, involvement in the Ukrainian National Federation (UNF), Ukrainian Women's Organization, Summer School "Kursy" in Winnipeg are also discussed.

Sembaliuk Cheladyn, Larisa
CA BMUFA 0291 · Collection · 1910-1981

Documents of the Ukrainian National Hall in Edmonton

Ukrainian National Hall