Showing 125 results

"Ukrainian Heritage Village Museum in Edmonton, Alberta" includes a recollection of Natalia's visit to The Ukrainian Heritage Village. The project includes: first impressions, monument descriptions, and her overall perspective.

This project contains text of an interview with producer Bohdanna Bashuk of a Ukrainian programme on CJKS , a nightly Ukrainian radio program in Winnipeg.

This collection includes essays on Ukrainian customs in Canada, korovai as a folk art, and the Ukrainian Museum of Canada. Also included is an article review.

"Ukrainian Contemporary Music and Youth" incorporates 10 interviews attempts to discover why Ukrainian youth listen to contemporary music and whether or not they prefer Ukrainian contemporary music composed in North America or the music from Ukraine. Includes a questionnaire.

This file contains early materials collected by Rena Hanchuk for her Folklore classes and a final paper. The project defines the wax ceremony as practiced in Canada. Within the written work, Rena compares and contrasts the definition of a wax ceremony through the taped interviews. The 15-page essay "A study on the Wax Ceremony as folk medicine" was done for the course Ukrainian 699.

Oral History Project was implemented by the Canadian Institute of Ukrainian Studies in 1982-1984. During that period of time two researchers -- Lubomyr Luciuk and Zenon Zwarycz -- interviewed more than 135 members of the Ukrainian community all over Canada, both immigrants and those already born in Canada. The interviews were digitized in 2014-2016 producing a database of over 400 sound files. The interviews focus on the Ukrainian organizational life both in the Old Country and Canada, as well as political and/or social activities of the interviewees. They also encompass childhood and formative years of each interviewee, their education, family stories, participation in the Ukrainian War of Independence, WWI, routes of emigration to Canada, patterns of settlement within Canada, relations with a broader Canadian society; WWII, DPs, Ukrainian-Canadian institutions, prominent personalities, as well as the religious and political mosaic inside the Ukrainian community in Canada.

The collection consists of essays and supporting material collected by Frank Fingarsen while taking Ukrainian Folklore courses at the University of Alberta.

This project describes the differences between old immigrant folklore, complex and the new, and ethnic complex in the development of Ukrainian Canadian folklore.

The collection consists of essays and questionnaires created by Natalia Booyar as part of her assignments for the Ukrainian Folklore courses at the University of Manitoba.

This collection includes an essay written by Greg Robinson for the course Ukrainian 499.

The collection consists of incorporation documents, applications and registration, reports, financial records, promotional materials, staff recruitment and program development records, and course materials.

"The Ukrainian Canadian Wedding" discuses studies of 20th century wedding practices of Ukrainian Canadians based on interviews.

Essay 1: "Tini Zabytuh Predkiv" is a book review on character development of Ivan Paliichuk and stylistic developments to describe the author's overall goal. Written for the course UKR 425..

Essay 2: "Ukrainian Mixed Marriages" focuses on marriage as a rite of passage. This diachronic study shows differences and similarities between a Ukrainian wedding which took place in Poland 30 years ago and several mixed marriages which took place in Canada. bib., quest. written for the course UKR 425. Includes: project proposal.

This collection contains a book review and an essay on Ukrainian mixed marriages written by Walter Garbera for his Ukrainian courses.

A collection of course work by Mark Bandera including book reviews, annotated bibliographies, and essay on topics such as folklore, folksongs, tsymbaly, and bandury.

"Studynetz: The preparation of a traditional Ukrainian dish" project includes an essay and a videorecording of Mary Cherewyk of Saskatchewan where she describes the preparation of jellied pork hocks (studenetz).

The collection consists of pillow covers and a wall hanging embroidered by Anna Drepko, Maria's mother, and memorial cards collected by her at various funerals in Winnipeg and area.