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The collection consists of field materials collected by Andreiv Choma, a master student in the Ukrainian Folklore program at the University of Alberta, during 2013-2015. The material was collected among Ukrainian communities in Brazil. It includes audio interviews with the members of Ukrainian Brazilian community, photographs (both historical and modern), copies of the wedding registry of Ukrainians in Mallet in 1907-1915, baptismal registry, handwritten papers of the Ukrainian Catholic Centre in Mallet, of the society "Ukrains'ka hromada", and other records. It also includes Andreiv's manuscript of the part of his master thesis (mostly in English, parts in Portuguese).

The collection consists of personal correspondence from relatives in Ukraine to the Waclawski family.

The collection consists of phonograph records published in Canada, the United States, Australia, Ukraine and other countries between 1960s and 1980s. The publication labels include: Aprelevskii Zavod, Melodia, Chwyli Dnistra and many others.

The collection consists of personal documents, IDs, personal and official correspondence, newspaper clippings, articles, and financial documents.

The Writings from the War / Я пишу з війни collection consists of testimonials of Ukrainians about their experience of the Russian invasion of their country. The project’s archiving coordinator Alex Averbuch periodically deposits firsthand testimonials transmitted to the project team from various hiding places; from shelters, train stations, and refugee camps; from besieged cities. The project’s team also includes Valentyna Vzdulska (the initiator of the project), Daria Bairak and Maryna Solohub (SMM managers and co-coordinators), as well as numerous volunteers assisting in translating the testimonials and maintaining project platforms (website, social media).

The mission of Writings from the War is to collect, preserve, and disseminate these testimonials, both in the language of the original and English translation, so as to provide a documentary source for researchers, academics, students, journalists, artists, and the public in general. There are testimonials by soldiers, volunteers, doctors, drivers, teachers, animal rights activists, cooks, artists, and scientists – people of all professions; by adults and children, displaced persons, rescuers and the rescued – in short, anyone interested in sharing their experience with the world. This is a panoramic picture of the wartime “everyday,” reflecting private experiences during this catastrophe. All the testimonials have been provided to the project team by the witnesses themselves, and every story has a title, and a record of the person behind it.

The project has been carried out since March 2022 in collaboration with the University of Alberta’s Kule Folklore Centre.

The collection consists of incorporation documents, applications and registration, reports, financial records, promotional materials, staff recruitment and program development records, and course materials.

The collection consists of records of the Ukrainian Educational Association (Укр. Тов. Просьвіта ім. М. Павлика) in Vermillion, AB; and records of the Ukrainian National Society of Taras Shevchenko of Derwent, Alberta. Records include:

• Incorporation papers of the Ukrainian National Society of Taras Shevchenko of Derwent, AB
• Order Book of the Ukrainian National Society of Taras Shevchenko of Derwent, AB
• Membership list of the Ukrainian National Society of Taras Shevchenko of Derwent, AB
• Financial records of the Ukrainian National Society of Taras Shevchenko of Derwent, AB
• Meeting minutes of the Ukrainian Educational Association (Укр. Тов. Просьвіта ім. М. Павлика) in Vermillion, AB
• Library contents of the Ukrainian Educational Association (Укр. Тов. Просьвіта ім. М. Павлика) in Vermillion, AB
• Financial records of the Ukrainian Educational Association (Укр. Тов. Просьвіта ім. М. Павлика) in Vermillion, AB
• Handwritten Vertep.

The hard cover book has 302 pages and is handwritten in Ukrainian. The cover has "Щоденник" written on it. The manuscript starts with the birth of the author in 1885 and goes on until 1963. The author tells his life story from 1885 when he was born in western Ukraine to 1905 when the family immigrated to Canada and settled in western Canada. He describes life in Calmar, Edmonton, and other places.

A collections of textual work on kupalo and lemko weddings for the course Ukrainian 499 at the University of Alberta.

The collection predominantly consists of records between the mid-1940s and late 1990s and includes various records related to Ivan (John) Lahola and his family. It includes biographical materials, correspondence, and documents covering Lahola's life during World War II, detailing his experiences in Auschwitz and other prisons and concentration camps. The collection encompasses textual records related to Lahola's community life in Canada, published materials, and miscellaneous information. Notable correspondence involves letters from different organizations thanking Lahola for donations, including contributions to the construction of the Greek Catholic Cathedral and the Ukrainian Embassy Foundation. Additionally, the collection contains greeting cards, and printed materials such as program invitations and catalogs, offering insights into Lahola's engagement with community events, cultural activities, and charitable causes.

The collection consists of pillow covers and a wall hanging embroidered by Anna Drepko, Maria's mother, and memorial cards collected by her at various funerals in Winnipeg and area.

The collection consists of two series: one contains materials developed by Dr. Bohdan Klid for the Ukrainian History and Culture course in 1999; and the second comprises material on contemporary popular music and politics in Ukraine, 2004-2012.

The collection consists of personal documents, photos. Personal documents include passports, certificates of birth and baptism, immigration cards, vaccination certificate, certificate of marriage, and naturalization certificates. Photos consist of family photos prior to 1932, and Melnychuk and Klymchuk Family Photos.

This collection includes analyses on the wax ceremony performed by Ukrainian Canadians as folk medicine as research for her Master's thesis at the University of Alberta.

The collection consists of records from the Ukrainian Music Association of Alberta. It contains various correspondence such as letters written by the UMAA from the years 1972 to 1984, letters written to the UMAA by various organizations and people such as the Alberta Culture Youth & Recreation, the Shevchenko Scientific Society, Yurii Kowalsky, Neonilla Dmytruk and others. Also contains newspaper clippings pertaining to the UMAA such as clipping about musical events: the Women's Singing Ensemble "Merezhi", the Dnipro Choir in Edmonton, news clippings about the Ukrainian-Canadian composer Yurii Fiyala, and more. Also contains financial records from the UMAA, and announcements to musical shows.

The collection consists of the interview conducted by Larisa Cheladyn with Nadia Korpus in Calgary, and her final essay based on her research and this interview entitled "Through the eyes of Nadia Korpus: A snap shot of Ukrainian dance in Canada from the 1930s to 1970s." The essay examines Ukrainian dance in Canada from 1930s to 1970s as seen through the eyes of one person. It starts in Regina, SK, where Nadia began Ukrainian dancing as a small girl, and then criss-crossed the country as she participated in various summer programs and seminars, taught and created Ukrainian dances and formed her own Ukrainian dance group in Calgary "Rusalka". Ukrainian identity, involvement in the Ukrainian National Federation (UNF), Ukrainian Women's Organization, Summer School "Kursy" in Winnipeg are also discussed.