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The collection consists of an interview conducted with Chester Myroslav Kuc by Andriy Nahachewsky and Larisa Sembaliuk Cheladyn on August 20, 2003. The interview focused primarily on Chester Kuc's life story, his youth and his parents' encouragement for him to be active. It also deals with his teaching dance and the founding of Shumka and Cheremosh, and dance in general. Some information about his house and his various other arts and crafts interests: embroidery, pysanky, etc. is included as well.

The collection consists of field materials collected by Sogu Hong during his courses at the Ukrainian Folklore program, University of Alberta, as well as essays on a wide range of Ukrainian folklore topics: Ukrainian folk songs, ethnic jokes; immigrant tombstones; calendar customs and family rites, such as Christmas, childbirth, weddings; folk arts and crafts; foodways, and others.

The collection consists of field materials collected by Jason Golinowski during his master studies at the Ukrainian Folklore program, University of Alberta, as well as essays on a wide range of Ukrainian folklore topics, such as Ukrainian crafts, rites of passage, folksongs, celebrations, personal narratives, and others.

The collection consists of the Certificate of Incorporation (1941), history of the organization in Ukrainian and English, meetings agenda and minutes, correspondence between UPAA and various people in Ukraine, project reports and documentation (includes two publication projects: Svarich Memoirs and Plawiuk's Ukrainian Proverbs), photographs and a ledger.

The collection consists of pillow covers and a wall hanging embroidered by Anna Drepko, Maria's mother, and memorial cards collected by her at various funerals in Winnipeg and area.

In the summers of 1976-1981 inclusive, Patricia Pelech (Olsen) Carrow taught Ukrainian Folk Weaving at the Banff School of Fine Arts, now the Banff Centre, in their Visual Arts Department as part of its Weaving/Textile Arts program (later called Fibre Arts). She and her mother, Fiona Pelech, did extensive research in developing visual presentations for this course. They prepared over one thousand slides to present to the students as reference material. The sources for the slides are unknown.

Included in the slides are images pertaining to Ukrainian weaving, embroidery, costuming, baking, ceremonial occasions and photographs of the class participants in Banff.

A collection of texts of songs, proverbs and customs collected from informants in Alberta. Appendix contains text of a religious letter from Father Kuban.

The collection consists of Nick Mischi's 90th anniversary album with cards, greetings and photographs, his 95th anniversary album, documents and photographs related to his induction to the Hall of Fame at the Vegreville Pysanka Festival, certificates of appreciation from the Ukrainian Cultural Heritage Village, letters, and other photographs.

This project was the core fieldwork collection phase of Jason Golinowski's master thesis.

A dozen or more dance competitions are organized in western Canada which include or focus exclusively on Ukrainian dance, with an estimated total of some 8000 entries per year in recent years. The number of competitions and competitors has risen significantly in the past five years. This increase in popularity raises numerous questions regarding the functioning of "ethnic" cultural activities in this country. Various theories explaining "ethnic persistence" and "ethnic revival" have been proposed. The present project is designed to develop an empirical base of data to test aspects of these conceptual models.

The project consists of asking competition organizers for competition programs and marks through their histories, information which is quite readily available to these committees. A detailed database of the competitors, their home group, instructors, their marks and placements, adjudicators, repertoire and other information will allow an analysis of behavior trends that will shed light into the functions of the competitions and the motivations of the various categories of participants.

This project is relatively self-contained and has been proposed as a Master's thesis by Jason Golinowski in the Ukrainian Folklore Program in the Department of Modern Languages and Comparative Studies. It is also connected to a larger study conducted by Dr. Andriy Nahachewsky, dealing with "new ethnicity" and Canadian Ukrainian dance.
(from Project proposal)

The Viter Ukrainian Folk Group Choir was a large group project, supported by KuFC equipment and logistics. Graduate students from the Fall 2014 Folklore Research Methods class (MLCS) taught by Andriy Nahachewsky attended a number of rehearsals and performances by the Viter Ukrainian Folk Choir of Edmonton. Students gained experience using recording equipment, conducting interviews and then published their findings. They produced two short videos documenting the choir on stage and as a community.

Students: Nataliya Bezborodova, Larisa Cheladyn, Kateryna Kod, Kelci Mohr, Deepak Paramashivan, Allison Sokil and Dana Wylie.

Aside from two films, there are many photographs in the collection.

Oral History Project was implemented by the Canadian Institute of Ukrainian Studies in 1982-1984. During that period of time two researchers -- Lubomyr Luciuk and Zenon Zwarycz -- interviewed more than 135 members of the Ukrainian community all over Canada, both immigrants and those already born in Canada. The interviews were digitized in 2014-2016 producing a database of over 400 sound files. The interviews focus on the Ukrainian organizational life both in the Old Country and Canada, as well as political and/or social activities of the interviewees. They also encompass childhood and formative years of each interviewee, their education, family stories, participation in the Ukrainian War of Independence, WWI, routes of emigration to Canada, patterns of settlement within Canada, relations with a broader Canadian society; WWII, DPs, Ukrainian-Canadian institutions, prominent personalities, as well as the religious and political mosaic inside the Ukrainian community in Canada.

Collection consists of four family histories researched and self-published by Gloria Rutherford: Yakemchuk family, Cherweniuk family, Bezmutko family, and Pluta family (Gloria's family on her mother's and father's sides). There are multiple newspaper clippings and family photographs enclosed in the books. Many of the photographs are signed at the back identifying people.
A local history book "A walk down memory lane" about Hufford, SK.
"My heritage from the builders of Canada" - a book by Olivia Rose Fry - Gloria's aunt, signed by the author on August 8, 1967: "To my dear niece Gloria and Phill Rutherford"

The collection consists of personal documents, immigration documents, photographs, audio and video recordings about a life of Nick and Stephani (nee Hretciuk) Gaudun and John Lakusta and his family.

A collection of records of Elsie Kawulych family, correspondence with relatives in Ukraine, Argentina and Brazil, photographs, phonograph records, ethnic clothing, posters, and an interview with Elsie Kawulych (recorded on August 7, 2014).

The collection consists of liturgical music, including Entrance and Recessional, Hymns in Honour of the Mother of God, Holy Spirit, Holy Eucharist, Various Saints, Tropars, Easter; and music scores and lyrics of Ukrainian folk songs (calendar cycle). It has been organized in three series: Folk music, Religious music, and Plast Song Books (self-published).

The collection comprises materials pertained to Doris Yanda's activities as a member of the Ukrainian Women's Association of Canada, philanthropist, writer, community leader, and distinguished master of weaving and egg painting. It includes correspondence, notebooks, checks and receipts of donations, book and workshops materials, etc.

Collection consists of Ukrainian folk songs and stories recorded by R. Klymasz during 1964-1965 at various locations in the Prairie Provinces and Ontario.